This disc includes several biographical portraits of contemporaries in computer generated visual poems, a section dealing with a Sufi prophet, Muslih Al Din Saadi of Shiraz, an animated clip of David Daniels life and philosophy done by Regina Celia Pinto, and an interview of David Daniels. -- Source of annotation: Marvin or Ruth Sackner.

This disc includes several biographical portraits of contemporaries in computer generated visual poems, a section dealing with a Sufi prophet, Muslih Al Din Saadi of Shiraz, an animated clip of David Daniels life and philosophy done by Regina Celia Pinto, and an interview of David Daniels. -- Source of annotation: Marvin or Ruth Sackner.

Eter Panji runs the Visual World Poetry press. -- Source of annotation: Marvin or Ruth Sackner.

This compact disc, that runs on the Windows operating platform, accompanies Uribe's book, "Tipoemas y Anipoemas - Typoems and Anipoems 1968-2001." The poems are strikingly vibrant as viewed on this disc owing to their creative animation. -- Source of annotation: Marvin or Ruth Sackner.

This compact disc, that runs on the Windows operating platform, accompanies Uribe's book, "Tipoemas y Anipoemas - Typoems and Anipoems 1968-2001." The poems are strikingly vibrant as viewed on this disc owing to their creative animation. -- Source of annotation: Marvin or Ruth Sackner.

Ana María Uribe (1944-2004) was an Argentinian poet whose writing practices and poetry resonate with our historical moment of transition from analog to digital media." Uribe was inspired by a poetics that led to close affinities between the use of the page and the capabilities of digital media: The concrete poets tied onto Mallarme's innovation and revolutionized spatial conventions byturning space into an integral component of the poem with semantic significance. The flat, twodimensional surface of the page, however, is fundamentally redefined on the computer screenonce again, for the poetic space of the screen is radically different from that of the page on numerous levels. Firstly, it is kinetic and interactive: letters can move and migrate, positions ofletters and words are no longer fixed and static, but in flux and transient; they are no longer predetermined but potentially open for creative interventions (Schaffner1" -- Source of annotation: Marvin or Ruth Sackner.