This work is a collection of Silves' publications. It comprises the following: 1) introductory card, 2) Mail- Art Copy-Book Two 1990, 3) Testos Visualis exhibition announcement pamphlet, 4) folded broadside not dated, 5) performance announcement card "A Violencia Nossa de Cada Dia" 1999, 6) 50 Anos - portfolio of photocopied prints 1993, 7) newspaper article on Silves (2003); 8) a newspaper supplement pamphlet about Silves (2000), 9) 16 photocopied prints not dated, 12) 3 page photocopied critical text on poema processo 1967 - 2002, and 13) photocopied page of exhibition review of Silves works dated 2002INternet: Falves Silva (1943-) is one of the artists featured in OEI #66 Process/poem. -- Source of annotation: Marvin or Ruth Sackner.

The invitation to the opening is printed on the outside of the black plastic bag. The glued red label states "Discretion Advised! Sexually Explicit Material Enclosed." The enclosed card is a reproduction of the collage entitled "Emilie Comes to Me in a Dream" (1933). This exhibition announcement was designed by Eileen Boxer. -- Source of annotation: Marvin or Ruth Sackner.

Designed and edited by Christian Xatrec. Includes 72 facsimile postcards mailed by Albert Fine. -- Source of annotation: Marvin or Ruth Sackner.

This issue depicts two typewriter art pieces by Dom Sylvester Houedard. -- Source of annotation: Marvin or Ruth Sackner.

This is a collection of artists' works compiled by Richard Hambleton. Each contributor decorates a blank portrait of Mr. Reeee, who is presented as a murderer in keeping with the project's "investigation/police report' theme. JMB is one of the artists included in the book, as are Robert Rehfeldt, Angelika Schmidt, Andre Stitt, Pat Larter, Robin Crozier, G. A. Cavellini, Anna Banana, Ulises Carrion, L. F. Duch, Ken Friedman, and many others. -- Source of annotation: Marvin or Ruth Sackner.

Although the edition called for 25 copies, according to Ginny Lloyd during a personal visit to the Archive in 2010, only four copies were actually assembled. Since the Sackner copy is numbered '5', perhaps she meant five copies. The box is addressed to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Although the edition called for 25 copies, according to Ginny Lloyd during a personal visit to the Archive in 2010, only four copies were actually assembled. Since the Sackner copy is numbered '5', perhaps she meant five copies. The box is addressed to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The stamp in the envelope on the cover was done by Bob Watts. -- Source of annotation: Marvin or Ruth Sackner.

This book provides highlights and photographs of performances carried out in California in the seventies. It is the first volume of the "Contemporary Documents" series edited by Carl Loeffler. Carl Loeffler died in January 2001. -- Source of annotation: Marvin or Ruth Sackner.

Scarletina Lust man be a nonde plume for Alex Hirka, the editor. -- Source of annotation: Marvin or Ruth Sackner.

Scarletina Lust man be a nonde plume for Alex Hirka, the editor. -- Source of annotation: Marvin or Ruth Sackner.

Artists mentioned win this book with multiple works in the Sackner Archive include Susan Barron, Cavallini, Buster Cleveland, Jiri Kolar, El Lissitzky, and Elena Presser among others. -- Source of annotation: Marvin or Ruth Sackner.

This book is a collection of recipes, biographies and illustrations from artists in New York and Europe. -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamps, Crop Circle Stamps, are by Robert Rocola and the painting is most likely by Buster Cleveland. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue deals with xerox art. Vittore Baroni contributed an essay, "Towards the Heart of the Machine: Copy Art Today." -- Source of annotation: Marvin or Ruth Sackner.

Contains an essay by Vittore Baroni, "Towards the Heart of the Machine: Copy Art Today" and another on "Mohammed elogio per un vampiro." -- Source of annotation: Marvin or Ruth Sackner.