Gaglione, Picasso, 1943-
Dates
- Existence: 1943 July 11
Biography
William Gaglione, born in New York City in 1943, became an influential leader of the mail art movement during the 1960s. From that point he took an active role in the New York Correspondence School, along with his friend Ray Johnson, where he created his coded name "Dadaland." Long before the general public was aware of the artistic possibilities, mail artists were using rubber stamps to decorate their envelopes, finding abstract applications, and developing techniques. Rubber stamp art became an important genre within mail art, along with publications, postage stamps, photocopy, and audio cassette trade, and began to generate its own shows, magazines, and conventions. From being a contributor in the movement, Gaglione's position was to publicize the up and coming genre by utilizing the publications, shows, magazines, and audio cassettes.
Gaglione left New York and moved to California during the 1970s, where he founded his first company dedicated to mail art, Stamp Francisco. While living in San Francisco, he befriended other mail artists, including Darlene Domel, who he later married, and Anna "Banana" Lee. During this time, he contributed to artistamp, which is the art form of a postage stamp, but not meant to be considered real. Additionally, it was with Anna Banana that Gaglione developed Vile Magazine, which gave the opportunity for mail artists to publish their art and other publications. As Gaglione became more empowered with the mail art movement, he was known as a pioneer and developed the name "Picasso" Gaglione for all of the techniques he created.
During the 1990s, Gaglione focused his attention on the fine art of rubber stamping and his role as curator for the Stamp Art Gallery in San Francisco. Currently, Gaglione resides in Chicago with Darlene Domel. He owns a company, Stampland, which consists of fine art rubber stamps that he sells.
Nationality
American
Found in 6 Collections and/or Records:
Arte Postale / Baroni, Vittore ; Johnson R ; Padin C ; Perneczky G ; Pittore-Eurifico C ; Higgins EF-III ; Varney E ; Bzdok H ; Mittendorf H ; Diotallevi M ; Bates K ; Banana A ; Gaglione B ; Olbrich JO ; Pawson M ; Bennett JM ; Vigo EA ; Gutierrez-Marx G ; Nikonova R ; Segay S ; Ackerman A ; Summers R ; Crozier R ; Scott M ; Petasz P ; Baroni V ; Ruch G ; Cohen R ; Deisler G ; Fricker H ; Kustermann P ; Shimamoto S ; Cavellini GA ; Carrion U ; P-orridge G ; Ciani P ; Bleus G ; Galantai G ; Rehfeldt R ; Wolf-Rehfeldt R ; Janssen R ; CrackerJackKid ; Held Jjr ; Sackner RK ; Sackner MA ; Depero F ; Cangiullo F ; Picabia F ; Ben ; Friedman K ; Furnival J ; Bidner M ; Staeck K ; Jacob JP ; Huber J ; Dogfish ; Diotallevi M ; Maggi R ; Hagglund SG ; Rocola R ; Groh K ; Cleveland B ; Jackson S ; Sarmiento J ; Kempton K ; Tisma A ; Francia ; Mohammed ; Ciani P ; Frangione N., 1997
Baroni provides an in-depth discussion of mail art with sections dealing with submovements, e.g., assemblings, fluxus, xerox art, etc. and sections dealing with major figures, e.g., Ray Johnson, Robin Crozier, etc. He also mentions the Sackner Archive as a resource for mail art. -- Source of annotation: Marvin or Ruth Sackner.
Belgium Fluxus, 1999
The concept and design were done by Picasso Gaglione and the text by John Held Jr. The latter wrote, "The three rubberstamps in this boxed set are an ongoing tribute to the influence of Fluxus and its spirit of collaboration among international cultural workers." -- Source of annotation: Marvin or Ruth Sackner.
Jiri H. Kocman / Agius, Juan J. ; Kocman JH ; Valoch J ; Purves T ; Gaglione B., 2000
L'Art Tampon / Held, John Jr. ; Gaglione, Bill ; Bleus G ; Summers R ; Janssen R ; Daligand D ; Agius J., 1995
This book is a dairy of Held and Gaglione's (The Fake Picabia Bros.) tour of Europe from May 1-11, 1995. It also includes photocopied examples of the rubberstamp art of Michel Hosszu, Daniel Daligand, Guy Bleus, Rod Sommers and Ruud Janssen. The rubberstamp collaged onto the cover depicts a portrait of Held and Gaglione labeled The Fake Picabia Bros. -- Source of annotation: Marvin or Ruth Sackner.
Works: 1970-1979 / Kocman, J.H. ; Gaglione B ; Ben ; Perneczky G ; Knizak M ; Valoch J., 1995
Presented and created by Bill Gaglione and edited by Ted Purves who state that art scholars consider Kocman the neo-father of contemporary stamp art aka rubberstamping art. Onthe inside back cover, Kocman has handwritten [facsimile] a paraphrasse by Wittgenstrin "The limit of my languafe is the limit of my world" as "The limit of my love is the limit of my world." -- Source of annotation: Marvin or Ruth Sackner.