Scope and Contents

Pages consist of rubberstampings and images cut to page size from magazines. -- Source of annotation: Marvin or Ruth Sackner.

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Consists of images from everyday life made with rubberstamps manufactured in East Germany prior to reunification of East and West Germany. -- Source of annotation: Marvin or Ruth Sackner.

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Theme of this book is peace and cooperation among people. -- Source of annotation: Marvin or Ruth Sackner.

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The pages are composed of collages. -- Source of annotation: Marvin or Ruth Sackner.

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The pages are composed of collages. -- Source of annotation: Marvin or Ruth Sackner.

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The introductory essay was written by Guillermo Deisler. -- Source of annotation: Marvin or Ruth Sackner.

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Exhibition was curated by Stephen Perkins. The catalogue consists of brief comments by the editors and cover reproductions of over 300 zines. -- Source of annotation: Marvin or Ruth Sackner.

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The envelope is addressed to Luc Fierens. -- Source of annotation: Marvin or Ruth Sackner.

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Joseph Huber is the owner of Edition Karte. The card is a progession in font size of the word "sehen" (see) until the poem reaches the middle where it becomes "lesen" (read) and then progressivley diminishes to smaller font size for "sehen." -- Source of annotation: Marvin or Ruth Sackner.

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This work documents an exhibition and residency at the Fermoy Gallery that took place from May 2 to July 2, 1994, a catalogue in two parts of an international mail art show entitled "What is Surrealism?" and an Exquisite Corpse book done with students. -- Source of annotation: Marvin or Ruth Sackner.

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This issue was a supplement to Jornal Cataguases, Oct 1976. -- Source of annotation: Marvin or Ruth Sackner.

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The presentation of the visual poems reproduced in this book could have been composed by either poet. -- Source of annotation: Marvin or Ruth Sackner.

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This is an anthology of contemporary concrete poetry mainly from German speaking poets. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work consists of a a painted box with two bookshelves and a horizontal compartment within its center divide. It houses 10 folders holding large, handmade postcards usually from thick cardboard or fragments of hard cover bookbindings. The hard cover book documents the project, annotates the postcards, and depicts photocopied colored reproductions of one side of all the postcards. The folders hold the original postcards No.1-166 between Freddy Flores Knistoff and Harmut Andryczuk, No.167-247 between Wolf Rosenthal and Harmut Andryczuk, No.248-276 between Harmut Andryczuk and Wolf Rosenthal, No.277-298 between Harmut Andryczuk and Pierre Garnier and between Pierre Garnier and Harmut Andryczuk, and No.299-339 between Harmut Andryczuk and Freddy Flores Knistoff. The writer is identified through a symbol assigned to each. Further, Wolf Rosenthal signature on his postcards often is "lobo." The content of several cards is political dealing with the conflict in Kosovo. The edition of...

Scope and Contents

Lists the poets and artists who have participated in Deisler's assembling publication, Uni/vers(;) from 1987-1992 and reproduces representative works from the magazine. -- Source of annotation: Marvin or Ruth Sackner.