Collins, Patricia (artist)
Nationality
British
Found in 44 Collections and/or Records:
Insectmail-art Project Documentation / Dobson, Paul; Lenoir P; Seifert J; Nakamura K; Gomez A; Damase J; Voiges B; Collins P., 2001
The theme of this work is ants and insects. -- Source of annotation: Marvin or Ruth Sackner.
Instructions Number Eight / Collins, Patricia., 1998
The instructions in visual/verbal format refer mainly to health related measures. -- Source of annotation: Marvin or Ruth Sackner.
It's In the Box, 1997
The box includes representative booklets, cards, and objects made by Collins, some for other mail art publications. A neck tie has a sewn label, Christian Boltanski (rather than Christian Dior). An accompanying typed pamphlet lists the publication where these works appeared along with the tirage. -- Source of annotation: Marvin or Ruth Sackner.
Les Guides Noirs pour un tourisme radical: 7. Les bancs de Richmond Hill / Collins, Patricia ; Robic, Jean-Francois., 1997 - 1998
This book visually documents written memories of the dead inscribed on benches in Richmond Hill, England. -- Source of annotation: Marvin or Ruth Sackner.
Les Guides Noirs pour un tourisme radical: 7. Les bancs de Richmond Hill / Collins, Patricia ; Robic, Jean-Francois., 1997 - 1998
This book visually documents written memories of the dead inscribed on benches in Richmond Hill, England. -- Source of annotation: Marvin or Ruth Sackner.
Les Guides Noirs pour un tourisme radical: 7. Les rues de Londres / Collins, Patricia ; Robic, Jean-Francois., 1997 - 1998
The title of the book refers to a popular folksong. -- Source of annotation: Marvin or Ruth Sackner.
[Mail Art to Patricia Collins] / Etta Cetera; P Collins., 1998
In this visual poetic card poem, Etta Cetera thanks Patrica Collins for sending her the magazine, bric brac. -- Source of annotation: Marvin or Ruth Sackner.
[Mail Art to Patricia Collins] / Etta Cetera; P Collins., 1998
In this visual poetic card poem, Etta Cetera thanks Patrica Collins for sending her the magazine, bric brac. -- Source of annotation: Marvin or Ruth Sackner.
Mail-Interview Project / Ruud Janssen ; Patricia Collins., 1999
Interview by Rudd Janssen with Patricia Collins traces her contributions to the mail art network and her own background of art projects. -- Source of annotation: Marvin or Ruth Sackner.
Metamorfosis / Collins P ; Aguiar F ; Gomez A ; Graf H ; Lenoir P ; Melnikov W ; Ricart J ; Sourdin B ; Strada G ; Vidal F ; Beltran JC., 1998
Museum of Penny Candy, 2000
Each page consists of the candy object described by an ancient dictionary along with the candy itself. The presentation is reminiscent of early Joseph Kosuth works. -- Source of annotation: Marvin or Ruth Sackner.
Pagemakers / Collins P., 1999
Patricia Collins' contribution to the exhibition is titled "Messages in Bottles." The post card of her work has a note of thanks to Marvin Sackner for his support. -- Source of annotation: Marvin or Ruth Sackner.
Pandora's Box, 2000
Perfumer's Workshop, 1995
The opened jars appear to have a fragrance. -- Source of annotation: Marvin or Ruth Sackner.
Photo Archive, 2004
The drawings are sketches of the locations of items within Collins' archive. The photographs document various Collins inspired projects. -- Source of annotation: Marvin or Ruth Sackner.
Photographer's Pharmacy, 1998
The rolled paper in the jars provides an appearance of pharmaceutical content. -- Source of annotation: Marvin or Ruth Sackner.
Sea Fever, 2000
The work deals with ship wrecks. -- Source of annotation: Marvin or Ruth Sackner.
Spring Cleaning in Norfolk / Collins, Patricia., 2004
[The Ancient Mesopotamians] / Collins, Patricia., 2001
The quotation from "A History of Writing" refers to the sacred footsteps of birds. The knots resemble those footsteps. -- Source of annotation: Marvin or Ruth Sackner.
The Doctor at Home and Nurse's GuideBook, 1997
The jars simulate anatomic specimen containers. The box is entirely collaged both on its outside and inside with texts from an old medical dictionary or compendium of medical terms. This book object was Collins' response to Marvin Sackner's sending her a copy of the exhibition catalogue, "The Beauty in Breathing." -- Source of annotation: Marvin or Ruth Sackner.