The pages are composed of small portions cut from postcards along with their stamps. -- Source of annotation: Marvin or Ruth Sackner.

The book is arranged in an alphabetical order and lists handwritten words in French, English, and Latin selected by Seille conforming to her own scheme of visual importance for that letter. The visual images largely consist of material gleened from periodicals of the popular press. Photocopied material from French dictionaries is used often to form a background for Seille's handwritten lists. -- Source of annotation: Marvin or Ruth Sackner.

Cover has series of numbers written by artist. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts typical imagery of Seille's work, viz. surrealistic, impossibly constructed, human figures, automatic handwriting in different calligraphic styles, lists of numbers and labels unrelated to image or text are present in the book and on two facing pages which depict the lungs as one to four chambers in five pseudo-humanistic figures. Although the obsessive calligraphy and strange visual imagery resemble artwork done by artists in mental institutions (outsiders), Seille is not an outsider. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Paul Hatton. -- Source of annotation: Marvin or Ruth Sackner.

Commissioned for "The Beauty in Breathing" exhibition. Drawings, booklet and cards are inserted into sleeve pages formed by partial fastening with paper tape. The pages depict bizarre, human-like figures and obsessive, multiple calligraphic styles. Seille lists words in French and English relating to breathing on cards but the major text on the pages on lung anatomy and disease is taken from Latin writings of Pliny, e.g. "a heavy cold clears up if the sufferer kisses a mule's muzzle." -- Source of annotation: Marvin or Ruth Sackner.

A drawing, sculpture, and a book from this exhibition were purchased by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Seilles's two page letter to the Sackners details her trials of readjusting to life in France, her artistic work and concern for her health. She is pleased to hear that the Sackners saw her exhibition in the Janet Fleisher Gallery in Philadelphia. The collaged pages of found scraps of paper include a cutting from the Sackner Archive stationery. The loose sheets and the letter are inserted inside a fold of the final page. -- Source of annotation: Marvin or Ruth Sackner.

The 'pages' consist of seven lengths of string fixed to the inside at the spine onto which have been collaged several fragments of paper with a handwritten word, e.g., clear, their, from, rare, sand, tightly, etc. -- Source of annotation: Marvin or Ruth Sackner.

The cover has calligraphic text by Seille. -- Source of annotation: Marvin or Ruth Sackner.