One thousand copies were created for Plage magazine, Paris, France. Diotallevi writes that "this is a unique example with hand intervention." The piece is shaped like a heart. -- Source of annotation: Marvin or Ruth Sackner.

Reproduced in M. Diotallevi's "Senzo Titolo" (1989 and in Marcello Diotallevi bu Gerard Xuriguera, a reprint from Cimaise No.161. Similar in style to letraset drawings by Ferdnando Aguiar and Leon Ferrari that are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition is a homage to the poet Giacomo Leopardi. The collage by Alessandro Benfenati depicts the profile of a young woman's head covered with calligraphic text of a poem by Leopardi. -- Source of annotation: Marvin or Ruth Sackner.

Theme deals with artist-made kites. -- Source of annotation: Marvin or Ruth Sackner.

This assembling was collected with a FAX machine to remember the 200th anniversity of the death of Caglostro, an important Italian alchemist, magician, healer, astrologer, and philanthopist of the 18th century (1743-1795). -- Source of annotation: Marvin or Ruth Sackner.

The colored photographs in this book depict portraits that are reminiscent of the paintings of Francis Bacon. -- Source of annotation: Marvin or Ruth Sackner.

List of membership with their portraits and brief biographic sketch. -- Source of annotation: Marvin or Ruth Sackner.

The letraset drawing reproduced on page 13 of this book is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Tatiana Nazarenko contributed an essay Re-Thinking the Value of the Linguistic and Non-Linguistic Sign: Russian Visual Poetry Without Verbal Components." In it she discusses contemporary concrete and visual poetry and expresses gratitude to the Sackners "for their support, hospitality, access to the materials used in this paper and permission for publication." Julia Friedman writes about Alexei Remizov, a Russian writer, painter who made hundreds of albums between 1932 and 1949 that appear to be unique artist books with images and calligraphic narrative texts. -- Source of annotation: Marvin or Ruth Sackner.

The repeated image on each of the six stamps of the sheet depicts an erect penis or formed condom covered with Diotallevi's unique colored graphic. -- Source of annotation: Marvin or Ruth Sackner.

Diotallevi's "Poem (1980," the original of which is held by the Sackner Archive is reproduced in this reprint. -- Source of annotation: Marvin or Ruth Sackner.

This is an example of highly stylized calligraphy with recognizable number "4" in text. -- Source of annotation: Marvin or Ruth Sackner.

This issue deals with a critical analysis of the visual poetic kites designed by Diotallevi. -- Source of annotation: Marvin or Ruth Sackner.

The pages build progressively from a micrographic letter "z" to a text of words bounded by the letter "z" to further expansion of the letter "z" in the word "muozsaw" to a solid black color filling the last page. -- Source of annotation: Marvin or Ruth Sackner.