The Hebrew word "Ain" (not) is changed in five steps, from top to bottom of the drawing, to the Hebrew word "Ani" (I). -- Source of annotation: Marvin or Ruth Sackner.

The prints depict alphabetical patterns. -- Source of annotation: Marvin or Ruth Sackner.

The words "LAB-ART," constructed with small, multiple, geometrical forms, e.g, rectangles trapezoids and triangles, are printed on each left sided page. The right sided pages consist of an enlarged portion of each letter with the 'R' having two different enlargements. -- Source of annotation: Marvin or Ruth Sackner.

Ohel - Ruach and "Struktur-Bruch" that are depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds the following concrete poems that are reproduced in this book, viz, buchstaben-insel, ohel-ruach (tent - spirit), struktur-bruch/bruchstaben-gefuge, bruchstaben/monaden. Several poems in this book are constellations of nouns in the style of Eugen Gomringer. -- Source of annotation: Marvin or Ruth Sackner.

Skillfully cut, glued together, styrofoam Hebrew letters are stacked one on top of another in a random, pyramid shape. The letters may be a metaphor for victims of the Holocaust. The glass box could represent Kristelnacht, when the Nazis destroyed the glass windows of Jewish shops and burned Jewish books. -- Source of annotation: Marvin or Ruth Sackner.

Skillfully cut, glued together, styrofoam Hebrew letters are stacked one on top of another in a random, pyramid shape. The letters may be a metaphor for victims of the Holocaust. The glass box could represent Kristelnacht, when the Nazis destroyed the glass windows of Jewish shops and burned Jewish books. -- Source of annotation: Marvin or Ruth Sackner.

This is a reproduction of a drawing that consists of five Hebrew letters falling from the top of the page. This card is combined with others from Edition Splitter and stored as a card set. -- Source of annotation: Marvin or Ruth Sackner.

Two clusters of Hebrew letraset letters are positioned in the top left and bottom right corners. -- Source of annotation: Marvin or Ruth Sackner.

Clusters of large and small Hebrew letraset letters are randomly positioned throughout the surface. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a minimalist arrangement of eight Hebrew letters falling from upper left to the center of the surface. -- Source of annotation: Marvin or Ruth Sackner.

Clusters of large and small Hebrew letraset letters and numbers are randomly positioned throughout the surface. -- Source of annotation: Marvin or Ruth Sackner.

Two works held by the Sackner Archive are depicted: "Letter Heap [Accumulation of consonants]" and "The Unbreakable Yud [Letter Isolation]." -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of five formulas: i2 = -1 / E=mc2 / 0+0= infinity symbol=shin / Aleph=Yod+Vav+Yod / Taw=Raish+Vav. -- Source of annotation: Marvin or Ruth Sackner.

Daniel's contribution is a conventional poem. The 19 visual poetic illustrations were done with a computer by Barbara Waldschutz. -- Source of annotation: Marvin or Ruth Sackner.

This book was illustrated by Rudolf Angerer. -- Source of annotation: Marvin or Ruth Sackner.

Three columns of Hebrew text were hand cancelled with calligraphic strokes of black ink. The combination of the newsprint text and the markings create a dense fabric-like image. -- Source of annotation: Marvin or Ruth Sackner.

This is a reproduction of a drawing that consists of overpainted Hebrew text in a linear pattern. This card is combined with others from Edition Splitter and stored as a card set. -- Source of annotation: Marvin or Ruth Sackner.

The Hebrew title translates into "There Is No End." This book includes the following reproductions of drawings and collages held by the Sackner Archive, viz., Transparente Zeit(ung), Konsonanten-Chaos, and Durch-Streichung (No.2). -- Source of annotation: Marvin or Ruth Sackner.