Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g, Bikini Girl Vol.1 #9, Bold Print, Asylum Vol.2 #4. Bob Grumman reviews Kaldron #20, Xerolage #7, Photostatic #23, Malthus #2, Lost & Found Times #20, Atticus Review #12, Velocity, Red Lines #7, Industrial Sabotage #36 & 37. -- Source of annotation: Marvin or Ruth Sackner.

Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g., Maledicta #10, Poetry Review #139, Dreams and Nightmares #32. Grumman reviews And's Zaum piece Palatirator program for The Impossible Utterance #3, Blades' Dec 31, 1988, Basmajian's I am/I'm, Hill's Trains Sl;ay Huns, Byrum's Rimage, NRG #32 including Berry's Brambu Drezel, Modom #4. -- Source of annotation: Marvin or Ruth Sackner.

Bob Grumman contributes an essay on the utilization of neologisms in experimental poetry. -- Source of annotation: Marvin or Ruth Sackner.

John M. Bennett's book "Reversion: Piles of That" is reviewed by Bill Grumman who describes him as an "American poet outside the bastions of literary conventionality (or on the margins of the margins)." Contains Small Magazine Review vol.2 no.2. in which jw curry's 1cent is reviewed. -- Source of annotation: Marvin or Ruth Sackner.

Contains Small Magazine Review Vol.2 No.4. -- Source of annotation: Marvin or Ruth Sackner.

Also includes Small Magazine Review V.2, N.11. -- Source of annotation: Marvin or Ruth Sackner.

Bob Grumman reviews "Loose Watch" by John M. Bennett. -- Source of annotation: Marvin or Ruth Sackner.

Also includes Small Magazine Review 90-91. John M. Bennett reviews "Madonna Septet" by Ivan Arguelles. Richard Kostelanetz contributes a guest editorial "What About Literary Contests?" Bob Grumman writes about neologisms in Miekal And's two new books. -- Source of annotation: Marvin or Ruth Sackner.

Also includes Small Magazine Review 96 and 97. Bob Grumman contributes a report of his participation as an artist associate at the Atlantic Center for the Arts at New Smyrna Beach, Florida. He writes that the stay included a "field trip" to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.