Scope and Contents

Grumman made this one of two colllages after he visited the Sackner Artchive a day previously. In this collage, the letter 'P' ithat completes the word "POEM" s absent. The word 'POETRY" is mising the 'P' that is obscured by a chaoti colorful abstract dtawing and the 'Y'is abssetn. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Grumman gave this print to the Sackners during his visit to the Archive in June 2001. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Grumman made this one of two colllages after he visited the Sackner Artchive a day previously. In this collage, the letter 'P' ithat completes the word "POEM" s absent. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The poem was adapted from Ronald Johnson's poem, Balloons for Moonless Nights, a print portfolio held by the Sackner Archive which Grumman inspected during his visit to the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

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Huth describes his visit to the Sackner Archive on April 13th in the section titled "Home Sweet Museum." -- Source of annotation: Marvin or Ruth Sackner.

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Edited by John M. Bennett. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by John M. Bennett. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by John M. Bennett. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by John M. Bennett. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Grumman gave this print to the Sackners during his visit to the Archive in June 2001. -- Source of annotation: Marvin or Ruth Sackner.

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Grumman uses Phillips' Humument process on a page from a mathematical book on boundries. -- Source of annotation: Marvin or Ruth Sackner.

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Bob Grumman writes in his introduction that he reprinted these 1996 visual poems as a curiosity item, but also because he was fond of two or three of the poems in it. The Sackner Archive holds a signed, inscribed copy of the 1966 edition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents On the back cover and internet, it is stated that Bob Grumman has long been active in the micro-press as publisher (the Runaway Spoon Press), conventional poet (Of Poem), visual poet (Xerolage 30), mathematical poet (April to the Power of the Quantity Pythagoras Times Now), critic (Of Manywhere-at-Once), columnist (for Small Press Review) and blogger (Poeticks.com). His other interests include arguing on the Internet with wacks certain Shakespeare was a fraud, tennis, riding his bicycle (his only mode of local transportation) and trying to finish a full-scale (totally uncertified) theory of psychology he's had under way since he was 26. Bob says: "My hope is that engagents of the works here will experience them in the verbal portions of their brains more or less at the same time that they experience them as works of visual art. In a few of them, my "visual long-division poems,' I try to trip those entering them into a third part of their brains, as well." -- Source of annotation:...

Scope and Contents This copy is stored in the Bob Grumman box. On the back cover and internet, it is stated that Bob Grumman has long been active in the micro-press as publisher (the Runaway Spoon Press), conventional poet (Of Poem), visual poet (Xerolage 30), mathematical poet (April to the Power of the Quantity Pythagoras Times Now), critic (Of Manywhere-at-Once), columnist (for Small Press Review) and blogger (Poeticks.com). His other interests include arguing on the Internet with wacks certain Shakespeare was a fraud, tennis, riding his bicycle (his only mode of local transportation) and trying to finish a full-scale (totally uncertified) theory of psychology he's had under way since he was 26. Bob says: "My hope is that engagents of the works here will experience them in the verbal portions of their brains more or less at the same time that they experience them as works of visual art. In a few of them, my "visual long-division poems,' I try to trip those entering them into a third part of their...

Scope and Contents

This assembling was produced by compiling the "favorite visual poems" by the invited contributors. Each poem is accompanied by the poet's own explanations of the works on a facing page. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These poems from Austrian and German poets are generally stylistically concrete. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistake discussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These poems from Austrian and German poets are generally concrete in style. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistakediscussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These poems from Austrian and German poets are generally concrete in style. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistakediscussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the first volume of three planned for the series. Each of the artists/poets contributed an in-depth essay describing their works and philosophy.There is a photograph of Karl Young holding his book, "Make a Joyful Noise" that is held by the Sackner Archive. The Sackner Archive helped support publication of this book. -- Source of annotation: Marvin or Ruth Sackner.