Also designated Objecta #3. -- Source of annotation: Marvin or Ruth Sackner.

Also designated dboubdledb No.1. Includes such neologisms as Thinkgin and Wish Key. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of fragments of correspondence between Huth and friends. There are 100 copies of this issue that are included in dbqp #101. -- Source of annotation: Marvin or Ruth Sackner.

The poem was adapted from Ronald Johnson's poem, Balloons for Moonless Nights, a print portfolio held by the Sackner Archive which Grumman inspected during his visit to the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one cent #190 (held by Sackner Archive) and Hit Broadside #2. Grumman utilizes blank space as a visual representation of the pond (pnd). -- Source of annotation: Marvin or Ruth Sackner.

Features words from James Joyce's Finnegans Wake such as whorse and parcequeue. -- Source of annotation: Marvin or Ruth Sackner.

Includes such neologisms as plobby and rotunditron. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Wordict #2. Includes neologisms such as fullceptor, lookster, and particker. -- Source of annotation: Marvin or Ruth Sackner.

Includes neologisms, spentagon, impotant, and fiendship. -- Source of annotation: Marvin or Ruth Sackner.

Includes neologisms such as snanity and eclectricity. -- Source of annotation: Marvin or Ruth Sackner.

The neologisms include blunker, wamp, gaster, sucigate, histic, noggle, lumberate, and fluch. -- Source of annotation: Marvin or Ruth Sackner.

Designated 12th draft. The poems, one to a page, are printed in school child-like letters. -- Source of annotation: Marvin or Ruth Sackner.

With the exception of 3 sequences created with John M. Bennett, all the "mathemaku" were completed in June at the Atlantic Center for the Arts in New Smyrna Beach, Florida. -- Source of annotation: Marvin or Ruth Sackner.

This essay is an excellent critique and analysis of selected poems that Grumman ties together. -- Source of annotation: Marvin or Ruth Sackner.

Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g, Bikini Girl Vol.1 #9, Bold Print, Asylum Vol.2 #4. Bob Grumman reviews Kaldron #20, Xerolage #7, Photostatic #23, Malthus #2, Lost & Found Times #20, Atticus Review #12, Velocity, Red Lines #7, Industrial Sabotage #36 & 37. -- Source of annotation: Marvin or Ruth Sackner.

Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g., Maledicta #10, Poetry Review #139, Dreams and Nightmares #32. Grumman reviews And's Zaum piece Palatirator program for The Impossible Utterance #3, Blades' Dec 31, 1988, Basmajian's I am/I'm, Hill's Trains Sl;ay Huns, Byrum's Rimage, NRG #32 including Berry's Brambu Drezel, Modom #4. -- Source of annotation: Marvin or Ruth Sackner.

Bob Grumman wrote the introduction in which he comments on the form of Kempton's poems whereby a word is split into two or more words by intervening spaces. He mentions that G. Huth designated this form as a severlation. These poems are printed one to a page, e.g., artifact = art if act, justice = just ice, herring = her ring, netherlands = net her lands, etc. -- Source of annotation: Marvin or Ruth Sackner.