Scope and Contents

Also includes Small Magazine Review 90-91. John M. Bennett reviews "Madonna Septet" by Ivan Arguelles. Richard Kostelanetz contributes a guest editorial "What About Literary Contests?" Bob Grumman writes about neologisms in Miekal And's two new books. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Also includes Small Magazine Review 96 and 97. Bob Grumman contributes a report of his participation as an artist associate at the Atlantic Center for the Arts at New Smyrna Beach, Florida. He writes that the stay included a "field trip" to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents On the back cover and internet, it is stated that Bob Grumman has long been active in the micro-press as publisher (the Runaway Spoon Press), conventional poet (Of Poem), visual poet (Xerolage 30), mathematical poet (April to the Power of the Quantity Pythagoras Times Now), critic (Of Manywhere-at-Once), columnist (for Small Press Review) and blogger (Poeticks.com). His other interests include arguing on the Internet with wacks certain Shakespeare was a fraud, tennis, riding his bicycle (his only mode of local transportation) and trying to finish a full-scale (totally uncertified) theory of psychology he's had under way since he was 26. Bob says: "My hope is that engagents of the works here will experience them in the verbal portions of their brains more or less at the same time that they experience them as works of visual art. In a few of them, my "visual long-division poems,' I try to trip those entering them into a third part of their brains, as well." -- Source of annotation:...

Scope and Contents This copy is stored in the Bob Grumman box. On the back cover and internet, it is stated that Bob Grumman has long been active in the micro-press as publisher (the Runaway Spoon Press), conventional poet (Of Poem), visual poet (Xerolage 30), mathematical poet (April to the Power of the Quantity Pythagoras Times Now), critic (Of Manywhere-at-Once), columnist (for Small Press Review) and blogger (Poeticks.com). His other interests include arguing on the Internet with wacks certain Shakespeare was a fraud, tennis, riding his bicycle (his only mode of local transportation) and trying to finish a full-scale (totally uncertified) theory of psychology he's had under way since he was 26. Bob says: "My hope is that engagents of the works here will experience them in the verbal portions of their brains more or less at the same time that they experience them as works of visual art. In a few of them, my "visual long-division poems,' I try to trip those entering them into a third part of their...

Scope and Contents

This assembling was produced by compiling the "favorite visual poems" by the invited contributors. Each poem is accompanied by the poet's own explanations of the works on a facing page. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These poems from Austrian and German poets are generally concrete in style. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistakediscussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These poems from Austrian and German poets are generally stylistically concrete. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistake discussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These poems from Austrian and German poets are generally concrete in style. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistakediscussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

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Reprints a section of Jake Berry's Brambu Drezi, an experimental novel held by the Sackner in manuscript form. -- Source of annotation: Marvin or Ruth Sackner.

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This is the first volume of three planned for the series. Each of the artists/poets contributed an in-depth essay describing their works and philosophy.There is a photograph of Karl Young holding his book, "Make a Joyful Noise" that is held by the Sackner Archive. The Sackner Archive helped support publication of this book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

An artist book, "Typoems" by Scott Helmes was lent to the exhibition by the Sackner Archive and is illustrated in the catalogue. The latter also provides prices of the books. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

An artist book, "Typoems" by Scott Helmes was lent to the exhibition by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.