The program cover designed by the Gerlovins shows a profile of the artists covered with drawings of profiles. -- Source of annotation: Marvin or Ruth Sackner.

It is mentioned that works of the Gerlovins are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Four wooden, pie-shaped panels painted BEFORE AFTER in black are hinged to the circular wood base painted DEATH BIRTH in red. -- Source of annotation: Marvin or Ruth Sackner.

Rimma Gerlovina and Valeriy Gerlovin participated in this exhibition which examined contemporary approaches to the self portrait. This husband and wife team do not merely use the figure to express identity, but to communicate more universal themes using texts and symbols. The cover contains a portrait of Rimma titled "Light" in which she holds a baby drawn with dashes of light. A second photograph depicts Rimma with her arms, head and neck painted with the phases of the moon. It is called,"Lunation." the Sackner Archive holds several books and a large colored photograph by the Gerlovins. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Rimma Gerlovin with a green leaf at her lips and the phrase "breathe-eat," to indicate the anagraphic significance of the two words along with the leaf which serves as a edible object as well as a respiratory organ for the plant itself. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a reproduction of a colored photograph of "Breathe" by the Gerlovins that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Manilla envelopes bound into the book contain broadsides. The envelopes are titled: Draft, Social Engineering, Subconcious Team, Politics/Military, Money Law, Industry, Bios, Forbidden Fruits, Sound Theatre, Miscellaneous. As seen on title page and indicated by (c) in others, most of the images were designed by the Gerlovins. -- Source of annotation: Marvin or Ruth Sackner.

This periodical is an example of Samizdat Art. The title translates to "Noncreativity." -- Source of annotation: Marvin or Ruth Sackner.

The covers of this artist book, edited by the Gerlovins, are kraft paper envelopes; the front cover contains a loose folded sheet for the colophon and the back cover information on Issue No.3. Each of the other 21 envelopes consists of a cellophane windowed, white paper envelope that contains a contribution by the artist/poet. Most but not all of the contents of the contributions deal with Russian themes. -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of grey envelopes, each with contents listed above. One of the booklets, Piotr Rypson's "AEIOU" is a Sator Editions (30/50) 1981. -- Source of annotation: Marvin or Ruth Sackner.

Each drawing, enclosed within a printed, rubberstamped envelope, was based upon an artwork by a famous artist, e.g., Dubuffet, Miro, Klee, etc. who was influenced by a child's drawing. This was reinterpreted by a child, 1 1/2 to 9 years of age, son or daughter of a contemporary artist, from a fragment of the work. A small, torn fragment of a printed reproduction was collaged onto a papercard sheet measuring 26.5 cm x 17.6 cm. It was placed along the side so that it could be seen in part through the cellophane window of the envelope. The parents of the children who made these drawings were Jean Dupuy, Michael Kostiuk, Jacques Halbert, Fred Truck, Jon Hendricks, Paul Zelevansky, Jon Gibson, etc. -- Source of annotation: Marvin or Ruth Sackner.

The letter written on the balloon reads: Dear Mr. Sackner! We are touched that you are interested in our art. We send you the [essence] of our spirit and hope we'll have a contact with you. Your sincerely, Rimma and Valery Gerlovin. The photographs show Rimma with samples of her book objects and holding a poem object. -- Source of annotation: Marvin or Ruth Sackner.

The letter written on the balloon reads: Dear Mr. Sackner! We are touched that you are interested in our art. We send you the [essence] of our spirit and hope we'll have a contact with you. Your sincerely, Rimma and Valery Gerlovin. The photographs show Rimma with samples of her book objects and holding a poem object. -- Source of annotation: Marvin or Ruth Sackner.

This issue presents a world-wide survey of avant garde music scores with documentation by the composers that forms a logical sequel to Cage's book "Notations" Something Else Press. -- Source of annotation: Marvin or Ruth Sackner.

Jonathan Williams' book of poetry, "The Magpie's Bagpipe" is reviewed by Philip Balla who creates a vivid description of Williams' poetic life style. -- Source of annotation: Marvin or Ruth Sackner.