The 2000 Documenta exhibition of artist designed catalogues displayed in glass green houses is depicted in this catalogue and accompanying image for this record -- Source of annotation: Marvin or Ruth Sackner.

This exhiition dealt with Nannucci's book and art works and those published by Zona and Exempla editions. -- Source of annotation: Marvin or Ruth Sackner.

One card has yellow letters on a red background, the other red letters on a yellow background. -- Source of annotation: Marvin or Ruth Sackner.

The sentence on the recto by Nannucci states, " Always endeavor to find some interesting variation." -- Source of annotation: Marvin or Ruth Sackner.

The title is solely printed in red on the middle of each page; the pages are perforated at the left margin presumably to be torn out for a label. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Nannucci box. "This voume, subtitled "Nonprofit Collective Organizations in the 1960's and 1970's," gathers one of the first extensive research on artist-run spaces. Developed in collaboration with the initiators and founders of Art Metropole (Vancouver), Artpool (Budapest), Ecart (Geneva), Farnklin Furnace (New York) La Mamelle (San Francisco), Printed Matter (New York), and Zona (Florence), the activities of these interconnected points of an alternative network are thus introduced by figures such as AA Bronson, Lucy Lippard, Tom Marioni, and Maurizio Nannucci. They develop on the implications of new art practices, self-organizaion strategies, and politics of exchange." -- Source of annotation: Marvin or Ruth Sackner.

Biographies of the artists are printed on the verso of the prints. -- Source of annotation: Marvin or Ruth Sackner.

The word bianco is typed in two facing arrow shapes. When the dot over the i is obscured by a typed row, the work blanco appears. -- Source of annotation: Marvin or Ruth Sackner.

The prints have a black background and the word "black" or fragments of the word "black" printed on this background in a glossy black color. The word becomes bIgger and bigger after each printing such that by the final print it entirely covers the last print. -- Source of annotation: Marvin or Ruth Sackner.

The card is written on the verso of "sixty natural greens," a conceptual art piece. Nannucci asks Williams to make a contribution to his magazine, Mela. -- Source of annotation: Marvin or Ruth Sackner.

Nannucci asks for a new catalogue of deluxe editions of concrete, visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

The long message from Nannucci to Aaron deals with contributions to Mela and a request to publish a William Burroughs piece. The letter is written on an announcement for the recording of Poesia Sonora that Nannucci edited. -- Source of annotation: Marvin or Ruth Sackner.

This is a listing of Nannucci's works available for sale including typewriter poems. -- Source of annotation: Marvin or Ruth Sackner.

The image consists of a block of capital S's. The title and year are written in graphite on the verso. -- Source of annotation: Marvin or Ruth Sackner.