Scope and Contents

The image consists of large red slashes on yellow stock paper.The title and year are written in graphite on the verso. -- Source of annotation: Marvin or Ruth Sackner.

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Each of 10 cans contained a different color paint. -- Source of annotation: Marvin or Ruth Sackner.

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Each of 10 cans contained a different color paint. -- Source of annotation: Marvin or Ruth Sackner.

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In his introduction to this print series Nannucci writes that "The growing importance of the visual over the verbal which started developing during the fifties, has doubtlessly influenced the proliferation of experimental poetry all over the world...This collection of unpublished poems is both a survey of the field made up to the end of the year 1970 and a proposal for the continuation of experimental work in poetry and for th e qualitative renewal of its original aspects." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In his introduction to this print series Nannucci writes that "The growing importance of the visual over the verbal which started developing during the fifties, has doubtlessly influenced the proliferation of experimental poetry all over the world...This collection of unpublished poems is both a survey of the field made up to the end of the year 1970 and a proposal for the continuation of experimental work in poetry and for the qualitative renewal of its original aspects." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This pamphlet provides an illustrating listing of silkscreened prints and books published by the press. The card is the price list; one of the copies is missing it. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by G. de Rook. -- Source of annotation: Marvin or Ruth Sackner.

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A more definitive catalogue of this exhibition is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Printed on the occasion of the annual meeting of I.K.G. and the 10th anniversary of the graphics workshop, Peninsula. All works are numbered and signed but "by circumstances the numbering of the prints is not alike." contents: Marina Abramovic "“ Dragon Head, colour photograph Claudia Costa "“ Mira Alta, colour etching with drawing Gunter Demnig "“ Gesetzetafeln, computerprint, silkscreen in portfolio Andrzej Dluznieuwski "“ Untitled, silkscreen Hetum Gruber "“ Untitled, photograph Franziska Megert "“ Untitled, colour laser print Maurizio Nannucci "“ The possible Plan, silkscreen Boris Nieslony "“ Wass soll das, Monotype, handcoloured Ann Noël "“ Bo Peep-Caution Explosive, silkscreen Jürgen O. Olbrich/Wolfgang Hainke "“ H90-Unbedruckt, silkscreen Paul Panhuysen "“ Gelijke rechten voor geel, rood en blauw, silkscreen Sef Peeters "“ Untitled, silkscreen Maria Anna Potocka "“ Primer of Human Form, offset, monotype Eva-Maria Schön "“ Parallele Natur, silkscreen, drawing Nicholaus...

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Lora-Totino wrote the introduction to the section on concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

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This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the page reference is to Nannucci's biography. In this version of the poem"nero," the layout is a narrow rectangle with the word fragmented into seven columns. -- Source of annotation: Marvin or Ruth Sackner.

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Curated by Wendy Woon. Nancy Tousley contributed an essay tracing the history of artists' books in Canada and the United States. Felipe Ehrenberg's essay describes his work as a book artist in England and Mexico. -- Source of annotation: Marvin or Ruth Sackner.

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The calendar is for the year 2000. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue depicts a reproduction of a Phillips' "Dante's Inferno" print that is also held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The title "M 40" refers to the Olivetti typewriter used to produce the pages of this book. Each page depicts a single letter or symbol from the keyboard that is separated by a half space. -- Source of annotation: Marvin or Ruth Sackner.

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This publication is folded such that it consists of 32 pages. -- Source of annotation: Marvin or Ruth Sackner.

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The keys presumably unlock the door of the museum. The colophon reads, ...is a box of mauricio nannuccci (1971) published by adlers editions in 30 copies signed and numbered in malmo sweden autumn 1983 -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The word, 'nero' is repetitively typed to form an optical image composed of an open box that is black where the typed letters cross. -- Source of annotation: Marvin or Ruth Sackner.