All the pages are blank except for one with an abstract or letter collage composed of sand along with two pages of typewritten documentation. -- Source of annotation: Marvin or Ruth Sackner.

The images of bodies, hands, and genitalia are deliberately grainy making interpretation difficult. -- Source of annotation: Marvin or Ruth Sackner.

Black or white paint was applied to a page and while wet was pressed onto the facing page causing the two to stick together. The physical separation by Depew or the reader of the facing pages can cause tearing of the paper. Some copies have no separations, others multiple separations between the pages. Most covers have black and white paint on blue paper, few are on brown paper. -- Source of annotation: Marvin or Ruth Sackner.

Only the center pages of the book are printed. The image has the shape of an orange tangerine with the color bleeding through a few adjecent pages. -- Source of annotation: Marvin or Ruth Sackner.

The images originating from woodblock prints depict a tennis ball bouncing against a tennis racquet as viewed in profile. This book was printed by D.r. Wagner and was also designated as Runcible Spoon Cretin concrete poetry series #1. Stored in the Wally Depew box of publications. -- Source of annotation: Marvin or Ruth Sackner.

The prints consist of three renderings of desert cactus. -- Source of annotation: Marvin or Ruth Sackner.

The image on each page is a rubberstamped blue dragon with the lightest image at the beginning of the book that progresses to the darkest image at the end. -- Source of annotation: Marvin or Ruth Sackner.

Wet paint was applied to the top of a stack of paper pages and a sharp knife was used to make a horizontal cut measuring about 7.5 cm through the stack such that diminishing amounts of paint were transferred to the remaining pages. -- Source of annotation: Marvin or Ruth Sackner.

Wet paint was applied to the top of a stack of paper pages and a sharp knife was used to make a horizontal cut measuring about 7.5 cm through the stack such that diminishing amounts of paint were transferred to the remaining pages. -- Source of annotation: Marvin or Ruth Sackner.

The prints consist of single four letter words including fade, bunt, slow and rant on abstract colored backgrounds. -- Source of annotation: Marvin or Ruth Sackner.

Each page is rubberstamped with small elephants in different configurations. -- Source of annotation: Marvin or Ruth Sackner.

Although the colophon states this book was supposed to be a signed and number edition of 49 copies and part of a series that included Qua Trains, Art, Toxic, and Ocean among others, it is neither signed nor numbered and is not referred to by the other books of this series nor in Wally Depew's personal list. Therefore, the two copies held by the Sackner Archive with different colored covers, purple and beige, are probably unique. The book has no text except for the colophon and depicts different placements of black woodblock squares on the page that provide a moving image while the pages are flipped. -- Source of annotation: Marvin or Ruth Sackner.

The scroll depicts woodcut squares that progressively depict larger notches and then return to the square with progressively smaller notches. -- Source of annotation: Marvin or Ruth Sackner.

The abstract designs are woodcut. No words appear in this booklet. -- Source of annotation: Marvin or Ruth Sackner.

The word go and all the numbers of the 'go books are rubberstamped on individual pages.The abstract designs are woodcut. -- Source of annotation: Marvin or Ruth Sackner.

The abstract designs are woodcut. -- Source of annotation: Marvin or Ruth Sackner.