Each page depicts the repetitive writing of a single first name. -- Source of annotation: Marvin or Ruth Sackner.

The line drawings of the performance of Aikido, a philosophical martial art, that were done by Cutler Shaw illustrate the texts of Crane. A conversation between the two artists prefaces the book. -- Source of annotation: Marvin or Ruth Sackner.

The poster is folded into 12 sections each of which contains a black and white photograph of Cutler-Shaw' head with her face covered with black and white reproductions of famous medical paintings or specimens. The composition of this work is reminiscent of Wallace Berman's Radio Ether series in which a hand holding a portable, transistor radio is collaged with varied images placed onto its face. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Krystyna Wasserman. -- Source of annotation: Marvin or Ruth Sackner.

This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

Judith Hoffberg contributes a preface titled "Birds, Bones and Books." In "Joyce's New York: A conversation" Margot Lovejoy interviews Cutler-Shaw. She states that you can enjoy and read calligraphy without knowing the language and that she is "drawn to the more contemporary form of concrete poetry, in which meaning is tied to its visual representation." -- Source of annotation: Marvin or Ruth Sackner.

Shaw devised an alphabet from the bones of birds in which the English text is translated on facing pages into these pseudo-hieroglyphic forms. -- Source of annotation: Marvin or Ruth Sackner.

Page 50, plate 44, depicts Wingbook, an artist book in edition of 12 that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of the repetition of the name "Marvin" in different calligraphic styles. -- Source of annotation: Marvin or Ruth Sackner.