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This print was reprinted in 1995 on different paper stock (Arches 88). This print is depicted in Furnival's "Lost for Words" (2011) page 34. -- Source of annotation: Marvin or Ruth Sackner.

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The recto depicts a seated baby and a partially finished landscape. The verso is a sketch of two reclining babies. Stored In Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

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This is an exhibition review of British Art from the Sackner Archive held at the Bass museum. -- Source of annotation: Marvin or Ruth Sackner.

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The catalogue was written and the exhibition curated by Marvin Sackner. The viewing took place over a five day period at the Annual Meeting of the American Thoracic Society/American Lung Association in Miami Beach. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue is another smaller version of a larger catalogue with eight pockets for poems that is also held by the Sackner Archive. It lists the titles of 193 poems without illustrations. No.132 negro organ, a reversal poem is held by the Sackner Archive as is 1.mind/ache and 54.porn/shop, etc. -- Source of annotation: Marvin or Ruth Sackner.

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This print was also published as a Openings Card Series No.6: Bestiary. -- Source of annotation: Marvin or Ruth Sackner.

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Figurative sketch of scenes from the 16th or 17th century after a fresco or sculpture within a building. -- Source of annotation: Marvin or Ruth Sackner.

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Figurative sketch of scenes with captions from 16th or 17th century after a fresco or sculpture within a building. -- Source of annotation: Marvin or Ruth Sackner.

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Figurative sketch of scenes from the 16th or 17th century after a fresco or sculpture within a building. -- Source of annotation: Marvin or Ruth Sackner.

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Figurative sketch of scenes from the 16th or 17th century after a fresco or sculpture within a building. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This drawing depicts a gargoyle from Beverley Minster, a parish church in the Church of England that is said to be the largest parish church in the UK. Wikipedia: Originally a collegiate church, it was not selected as a bishop's seat during the Dissolution of the Monasteries; nevertheless it survived as a parish church, and the chapter house was the only major part of the building to be lost. It is part of the Greater Churches Group and a Grade 1 Listed building. The Minster owes its origin and much of its subsequent importance to Saint John of Beverley, who founded a monastery locally around 700 AD and whose bones still lie beneath a plaque in the nave. The institution grew after his death and underwent several rebuildings. After a serious fire in 1188, the subsequent reconstruction was overambitious; the newly heightened central tower collapsed c. 1213 bringing down much of the surrounding church. Work on the present structure began around 1220. It took 200 years to complete...

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The card depicts black Omega letters overprinted in the shape of a square. -- Source of annotation: Marvin or Ruth Sackner.

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In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

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In the Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

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In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

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This is one of a series of 11 prints done in collaboration with Jonathan Williams that deal with the weather in Cumbria. This depicts a gloomy landscape from a window vantage showing grazing sheep. There are bright patches of red on backs of the Ewes indicating their owner as well as blue color on their backs. The ram's feet is placed into blue dye before they are put into the field with the Ewes so that farmers can tell when Ewes were serviced. In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

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Designated pamphlet seven. Although the title page of this publication announces a debate, the pages consist of photocopied reproductions of concrete poems. -- Source of annotation: Marvin or Ruth Sackner.