This work depicts simplified line drawings of houses in a village-like setting. Its style is similar to that in Plakat No.3 of Openings Press 1965 (Sackner Archive), which is titled Semiotic Drawing. The borders of the drawing are concave inward. It is one of the earliest drawings done by Furnival. -- Source of annotation: Marvin or Ruth Sackner.

This is a letter to John Sharkey. the letter is typed on a borrowed typewriter in blue ink. The text deals with suggestions of where the Sahrkey shildren shoud live since Wendy has left John. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue began with an historical introduction to text based works and included reproduced images of 20th century artists whose works are held by the Sackner Archive such as Apollinaire, Marinetti, Sabatier, Indiana, Kriwet, Augusto de Campos, Furnival, Finlay, Gomringer, Klaus-Peter Dienst, and Schuldt. The exhibition itself featured several artists whose works are held by the Sackner Archive, viz., Barton Lidice Benes, Howard Finster, Werner Hartmann, Stephanie Brody Lederman, Betty Tompkins, Regina Vater -- Source of annotation: Marvin or Ruth Sackner.

This differs from the varient copy which has pages from Dorothy and R.E.M. that was made in 1970 and includes the matted prints of Furnival. -- Source of annotation: Marvin or Ruth Sackner.

This unique varient copy has the same typewriter poem prints and reel to reel tape by Chopin as the original edition, but the Furnival prints differ and this copy has an embroidered flag by Astrid Furnival that was shown in the "Dorothy" exhibition at Bear Lane Gallery in 1966. Finally, although the boxes are the same, the covers have different collaged elements. -- Source of annotation: Marvin or Ruth Sackner.

Depicts an angled interior (bathroom ?) and pipes and a window. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

The image is a drawn rendition of a plant that grows in Furnival's garden. -- Source of annotation: Marvin or Ruth Sackner.

The image is a drawn rendition of a plant that grows in Furnival's garden. -- Source of annotation: Marvin or Ruth Sackner.

This print lists minimalist poems composed of phrases beginning with the word "The," e.g., 1) The Chase, The Child and the Mariner, The Church Organ, The Clock, The Collar. 2) The Coming of Peace, The Coming of Spring, 3) The Conquerors, The Cuckoo, etc. -- Source of annotation: Marvin or Ruth Sackner.

John Furnival provided the illustrations to Hollo's poems and designed the cover. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the group mentioned in the title. -- Source of annotation: Marvin or Ruth Sackner.

This poem is included in Finlay's Headlines:Eavelines but this drawing has a totally different layout than the print included in the portfolio. -- Source of annotation: Marvin or Ruth Sackner.

Each of four quadrants of the translucent print are handwritten explanations of Kabbalah. This overlies the second print which consists of three vertical color fields, the outer two are gilded and the center is a muted gold. -- Source of annotation: Marvin or Ruth Sackner.

This includes an image that is similar to a print also held by the Sackner Archive entitled "36. In the Beginning." -- Source of annotation: Marvin or Ruth Sackner.

The image of one print depicts an arch over a closed gate and the image of the other print depicts details of the ornaments on the arch. In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

Depicts stone arches, steps, carved statues, and an urn. Stored is Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

Sketch of a chair, broom, old fashioned sink and stove, and several bottles on the floor. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.