This exhibition was curated by Kate Rawlinson and Wallace Harper with works from the Sackner Archive. It was structured into four groups of visual/verbal works: ideograms, alphabets, words and stories. Drucker provided an outstanding introductory critical essay to the works in the exhibition despite being able to work with photographic reproductions only. -- Source of annotation: Marvin or Ruth Sackner.

The letter on the verso of this photograph indicates that two of Chopin's items can be discounted. Also, Furnival mentions that Mike Weaver was upset with Edwin Morgan for not giving him more credit for his "image" article in a talk that he gave. The photograph depicts a constructivist drawing by Furnival. -- Source of annotation: Marvin or Ruth Sackner.

View of Woodchester from a hilltop. There is a partial drawing of a figure on the verso. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a detail of a portrait of Houedard by John Furnival. The exhibition catalogue lists 50 works by Houedard including eight plastic laminate poems. The introductory essay was written by Guy Brett. There are also extracts from Houedard's writings and a letter to David Medalla printed in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The drawing on an blind intaglio print of a labyrinth was taken from Furnival's illustrated book, "Blind Date." The text at the bottom of this six sided drawing reads "Das War Der In Mitte W ort." -- Source of annotation: Marvin or Ruth Sackner.

The Watts Chapel is one of the few surviving monuments to the Arts and Crafts Movement and was designed in 1896 by Mary Watts. John Furnival made five drawings of the interior and one is reproduced here. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

Consists of two columns of poetic expressions beginning with the letter T or the word T. -- Source of annotation: Marvin or Ruth Sackner.

Consists of four expressions beginning with the letter, V. -- Source of annotation: Marvin or Ruth Sackner.

This is a varient copy of a print with the same title in Finlay's portfolio Headlines:Eavelines. The overlaid text in this print as well as the colors differ from the print in the portfolio. The finished print has words printed in blue and bluish-purple and the varient copy is printed in green and light blue. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a series of prints dealing with the English town of Nailsworth and its environs where the Welsh poet W.H. Davies spent the last years of his life. The collaged addition is a map of the area. Stored in the Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Furnival box. -- Source of annotation: Marvin or Ruth Sackner.

This consists of letters, cards and messages on scraps of paper from the participants who sent rocks to Furnival's wall project. Furnival mounted most of them on cardboard backings. The rock wall was erected at the Furnival's house in Stroud. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners contributed the coral rock to John Furnival's stone wall collection in his home garden in Stroud. -- Source of annotation: Marvin or Ruth Sackner.