Although the colophon calls for100 numbered copies with the first 10 signed, this is copy 13 and is also signed. Robert Rose selected the poems and Cinicolo-3 designed this work. -- Source of annotation: Marvin or Ruth Sackner.

This is the presentation folder of examples from the Archive made to the Sackners by Clive Adams, the art dealer, on behalf of Donato Cinicolo III. -- Source of annotation: Marvin or Ruth Sackner.

The communication has been rendered in the form of a booklet. Cinicolo mentions that he has been accepted by St. Martin's as a graduate student. The carbon paper is yellow stock. A mirror image poem by DC# using the word mirror is contained in the booklet. -- Source of annotation: Marvin or Ruth Sackner.

The card deals with Cinicolo's layout for Houedard's reversal poem "mind/ache." Houedard states "it just looks about exactly right." -- Source of annotation: Marvin or Ruth Sackner.

This card typed by Houedard reminds Cinicolo of his visit dates. -- Source of annotation: Marvin or Ruth Sackner.

Above the name dom pierre sylvester houedard on the mailing address of the envelope, Cinicolo typed a square of typed "d's." -- Source of annotation: Marvin or Ruth Sackner.

This letter announced the change of Cinicolo 3's telephone number.The card is addressed to dom sylvester houedard. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo discusses publication of Houedard's Newcastle catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Typed on tan paper. Cinicolo discusses design of a catalogue for Houedard's exhibition in Newcastle. -- Source of annotation: Marvin or Ruth Sackner.

Describes the difficulties of maintaining the typewriter keys clean after using a silver ribbon. Cincolo 3 asks Houedard if he would like to see his new book, "Sky Blue." -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo laments that he is now working in London, a come down from being involved in art schools. The envelope includes the letter picture and typewriter art. -- Source of annotation: Marvin or Ruth Sackner.

Typed on graph paper. Cinicolo ruminates on making an almanac with Anthony Harwood and trying to get a grant to attend St Martins.. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo invites Houedard to his dip (postgraduate) show at St Martins and provides a typewriter map of the location.. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo aplogizes for delayed response and mentions his taking care of 2500 tomato plants. Provides a list of mysterious numbers which betrays his occupation, nationality, financial position, etc. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo enquires about the work of Joseph Beuys. He notes that he visited John Furnival and his family and also writes of his interest in Houedard's "reversible poems." Cinicolo writes "i have been very silent these past 2 years but that is past & i have renewed enthusiasm/energy so i wouldnt like to lose contact with you" -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo descirbes the work that must be accomplished for Houedard's Newcastle catalogue in preparation for printing. He mentions his distain of punctuation and desired substitution of line spacing. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo asks Houedard questions about his catalogue and sending original art works. He apologizes for the poor typing and writes that he may be moving into another house. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo mentions that Edward Wright liked his work very much. He also writes that he has registered himself as a business, Liberis Editions, viz., libro = book & libero = free. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo 3 mentions giving a lecture on typewriter mechanics and small presses at Goldsmiths School of Art. -- Source of annotation: Marvin or Ruth Sackner.

Donato Cinicolo writes that he will be unable to travel to Prinknish Abbey with Houedard but will meet him there as he has a;ready booked a ticket. The typings are arranged in clusters with frequent use of words translated into French and Italian. -- Source of annotation: Marvin or Ruth Sackner.