Cinicolo mentions meeting Peter Mayer at Goldsmiths School of Art. -- Source of annotation: Marvin or Ruth Sackner.

This letter on black paper has been typed using a silver ribbon. Cinicolo mentions a meeting with Anthony Harwood that Houedard had arranged. -- Source of annotation: Marvin or Ruth Sackner.

The letter and envelope have the shape of an Isoceles triangle. Cinicolo thanks Houedard for his hospitality during his visit to Prinknash abbey. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo mentions difficulty in obtaining a grant to go to St Martins. -- Source of annotation: Marvin or Ruth Sackner.

The instructions on the letter are to read it when held up against the light. In this mode, some words have letters with a double typed appearance and internal blank space. -- Source of annotation: Marvin or Ruth Sackner.

There is no spacing between the words in this letter.Cinicolo writes of his speaking with Peter Schmidt and Hansjorg Mayer about his work. He also tells Houedard that "the numeral3attheendofmysurnameis becauseiamthethirdinaseriesofdonatos." -- Source of annotation: Marvin or Ruth Sackner.

There is no spacing between the words of this letter that deals with an inquiry about a silver ribbon for typing. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo aknowleges receipt of corrected proofs of Newcastle catalogue and mentions telephone coversations with John Cage and Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

This letter is a reminder to Houedard about sending a photograph of dc3. -- Source of annotation: Marvin or Ruth Sackner.

Houedard mentions that he edited Anthony Harwood's text and wanted Furnival to design the cover for the book. He also states that he would like to review Cinicolo's new book, Sky Blue. -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes that he is saddened by the plan to terminate Watford School of Art. Houedard's circular signature is spelled with a dotted y. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for his visit and states that he told Peter Max that Cinicolo might visit although Houedard admits that he never actually met him "like ive met you now." -- Source of annotation: Marvin or Ruth Sackner.

Houedard addresses Donato as Danilo, typing the name as an optical image concrete poem. His own signature is also typed as an optical image. He thanks Cinicolo for sending him his project book and indicates that he should tell Hansjorg Mayer that he will send him Dana Atchley's Notebook. -- Source of annotation: Marvin or Ruth Sackner.

Houedard addresses Donato as Danilo, typing the name as an optical image concrete poem. His own signature is also typed as an optical image. He thanks Cinicolo for sending him his project book and indicates that he should tell Hansjorg Mayer that he will send him Dana Atchley's Notebook. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Donatello [cinicolo 3) for the greenbook and writes that he is" trying to catch up on letters & writing bookreviews &tc & typing out things for the anthology of soundpoetry i am supposed to have finished last year." -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Donatello for the greenbook and writes that he is" trying to catch up on letters & writing bookreviews &tc & typing out things for the anthology of soundpoetry i am supposed to have finished last year." -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes of his with unexpected visit to London and invites Cinicolo to join him there and return together to Prinknash Abbey. -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes of his with unexpected visit to London and invites Cinicolo to join him there and return together to Prinknash Abbey. -- Source of annotation: Marvin or Ruth Sackner.

In the letter, Houedard asks cinicolo for advice on the design of the catalogue, invitation and book for the LYC exhibition. He also inquires as to the way the reversal poems should be printed on tracing paper. He lists and mentions that he is returning cinicolo's letters so that they can be filed by cinicolo. Houedard includes a drawing of the reversal poem "mind ache" on the second page. -- Source of annotation: Marvin or Ruth Sackner.

In the letter, Houedard asks cinicolo for advice on the design of the catalogue, invitation and book for the LYC exhibition. He also inquires as to the way the reversal poems should be printed on tracing paper. He lists and mentions that he is returning cinicolo's letters so that they can be filed by cinicolo. Houedard includes a drawing of the reversal poem "mind ache" on the second page. -- Source of annotation: Marvin or Ruth Sackner.