Houedard describes five ideas and questions concerning design of MIND/ACHE. The letter is addressed to DONATO in innovative typing. -- Source of annotation: Marvin or Ruth Sackner.

Houedard describes five ideas and questions concerning design of MIND/ACHE. The letter is addressed to DONATO in innovative typing. -- Source of annotation: Marvin or Ruth Sackner.

Houedard asks Cinicolo to glance at his designs for an ex libris. He writes that Ugo Carrega's gallery Mercato del Sale in Milan wants a retrospective. Hoedard thinks he had better offer him the reversal and reflections. The accompanying page is of reversal drawings entitled, BEGIN / AGAIN. -- Source of annotation: Marvin or Ruth Sackner.

Houedard asks Cinicolo to glance at his designs for an ex libris. He writes that Ugo Carrega's gallery Mercato del Sale in Milan wants a retrospective. Hoedard thinks he had better offer him the reversal and reflections. The accompanying page is of reversal drawings entitled, BEGIN / AGAIN. -- Source of annotation: Marvin or Ruth Sackner.

Houedard asks Cinicolo to glance at his designs for an ex libris. He writes that Ugo Carrega's gallery Mercato del Sale in Milan wants a retrospective. Hoedard thinks he had better offer him the reversal and reflections. The accompanying page is of reversal drawings entitled, BEGIN / AGAIN. -- Source of annotation: Marvin or Ruth Sackner.

Houedard asks Cinicolo to glance at his designs for an ex libris. He writes that Ugo Carrega's gallery Mercato del Sale in Milan wants a retrospective. Hoedard thinks he had better offer him the reversal and reflections. The accompanying page is of reversal drawings entitled, BEGIN / AGAIN. -- Source of annotation: Marvin or Ruth Sackner.

This is an unnumbered copy. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue in an edition of 100 consists of 75 copies with biographical information and 25 copies with biographical information plus photographic reproductions of the artists. Houedard provided autobiographical details and prices for his typewriter poems. Stored in Houedard box. -- Source of annotation: Marvin or Ruth Sackner.

Mentioned by Houedard as green book (cover is green paper) in thanking him for this gift in the letter of 07-09-1970 in Archive of Correspondence between the two. -- Source of annotation: Marvin or Ruth Sackner.

The design of the dust jacket and 40 black and white grainy photographic images were provided by Tom Phillips to illustrate Willliams' poems. The book and its typography were designed by Donato Cinicolo 3 who employed a large variety of typefaces including those from a typewriter. Jonathan Williams also contributed notes on the poems as well as an afterword. -- Source of annotation: Marvin or Ruth Sackner.

Object consists of pant's pocket mounted on cardboard. -- Source of annotation: Marvin or Ruth Sackner.

These pages consisti of a finished drawing and two studies for a card by dc3 and the poem by dsh. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a typing made solely using the parentheses keys. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a typing made solely using the parentheses keys. This book was printed at the Watford School of Art. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a typing made solely using the parentheses keys. -- Source of annotation: Marvin or Ruth Sackner.