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D S H (Dom Sylvester Houédard), 1924-1992

 Person

Found in 1306 Collections and/or Records:

kencox requiem haikus (011268) / Houedard, Dom Sylvester; Cox K., 1968

 Item
Identifier: CC-08623-8795
Scope and Contents

Each page contains several permutation poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Kencox Requiem Haikus (011268) / Houedard, Dom Sylvester; Cox K., 1968

 Item
Identifier: CC-08746-8920
Scope and Contents

Each page contains several permutations. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

kencox wheelstarede (121168) / Houedard, Dom Sylvester., 1968

 Item
Identifier: CC-56286-59747
Scope and Contents

This poem for Ken Cox includes eight lines of made up words using letters that are not present in his name. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Kenelm Cox: Keeping Still in the Book of Changes (291168) / Houedard, Dom Sylvester; Cox K., 1968

 Item
Identifier: CC-09691-9884
Scope and Contents

Includes poem based upon I-Ching 52 in memorial to Ken Cox. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Kinetic Doublets / Houedard, Dom Sylvester., 1965

 Item
Identifier: CC-09379-9565
Scope and Contents

This depicts working ideas for Frog Pond Plop, later realized in a different form as Opening Number No.6, 1965 and is stofred in the drawing binder. The typing of this work is stored in the typing binder. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Kinetic Poems / Cox, Kenelm ; Houedard DS., 1968

 Item
Identifier: CC-18612-18984
Scope and Contents

Dom Sylvester Houedard's introduction to the catalogue is printed directly from his typescript with handwritten additions as it "arrived too late to typeset due to unreliable postmonk at the abbey." Cox's "Suncycle," in the motorised edition, was displayed in this exhibition. A non-motorised version is held by the Sackner Archive. Stored with Kenelm Cox's portfolio "A Memorial Folder." One copy is stored in with Houedard manuscripts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

[L and cube slash and dash] / Houedard, Dom Sylvester., 1963

 Item
Identifier: CC-57871-10001123
Scope and Contents

A large L shaped figure and a smaller cube are composed of slashes and dashes. This typing was acquired from Charles Cameron. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

La Creativite en Noir et Blanc / Hallian, Marc ; Chaleil, Max ; Daniel, Jacques ; Rochu, Gilbert ; Moles A ; Bertini G ; Spatola A ; Houedard DS ; Lissitzky E ; DeVree P ; Williams E ; Blaine J ; DeCampos A ; Gomringer E ; Kriwet F ; Gerz J ; Novak L ; Ovcacek E ; Kitasono K ; Fahlstrom O ; Finlay IH ; Furnival J ; Cox K ; Nuttall J ; Weiner O ; Fernbach-Flarscheim C ; VanDoesburg T ; Picabia F ; Albers J ; LeWitt S ; Delaunay S ; Klee P ; Sterne L ; cummings ee ; Bense M ; Niikuni S ; levy da ; Williams J ; Johnson R ; Kostelanetz R ; Saroyan A ; Stoholjkovic V ; Taveres S ; Pelieu C ; Goeritz M ; Bory JF ; Jandl E., 1973

 Item
Identifier: CC-09347-9533
Scope and Contents

Abraham Moles contributed the preface.The numbering system must have started at a number other than '1.' since only 3026 copies were printed.refThe section titled "La Poesie apres le Verbe" by M. and A. Chaleil, is an in depth critical evaluation of the contemporary international concrete poetry movement which has excellent illustrative examples. Gilbert Rochu provides a critical review of comic strip art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

La Dolce Vita: [Man Cutting Log] / Houedard, Dom Sylvester., 1962

 Item
Identifier: CC-55404-333333
Scope and Contents

La Dolce Vita is blind scored into the paper on the drawing of an extended hand. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1962

la ugh / Houedard, Dom Sylvester., 1968

 Item
Identifier: CC-55796-9999326
Scope and Contents

The handwritten word on the verso is"laugh." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

[Lady with scarf 1] / Houedard, Dom Sylvester., 1954

 Item
Identifier: CC-57491-10000784
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1954