The Sackner Archive holds nine drawings with the same text that differ only in the color of the ink utilized for the text or border. The poem reverses its text when turned over to the verso and when oriented 180 degrees. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds nine drawings with the same text that differ only in the color of the ink utilized for the text or border. The poem reverses its text when turned over to the verso and when oriented 180 degrees. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds nine drawings with the same text that differ only in the color of the ink utilized for the text or border. The poem reverses its text when turned over to the verso and when oriented 180 degrees. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds nine drawings with the same text that differ only in the color of the ink utilized for the text or border. The poem reverses its text when turned over to the verso and when oriented 180 degrees. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds nine drawings with the same text that differ only in the color of the ink utilized for the text or border. The poem reverses its text when turned over to the verso and when oriented 180 degrees. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds nine drawings with the same text that differ only in the color of the ink utilized for the text or border. The poem reverses its text when turned over to the verso and when oriented 180 degrees. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds nine drawings with the same text that differ only in the color of the ink utilized for the text or border. The poem reverses its text when turned over to the verso and when oriented 180 degrees. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds nine drawings with the same text that differ only in the color of the ink utilized for the text or border. The poem reverses its text when turned over to the verso and when oriented 180 degrees. -- Source of annotation: Marvin or Ruth Sackner.

This is a letter to John Sharkey suggesting contact information of several writers. In a handwritten additon Houedard suggests contacting "bob cobbing 262 Randolph Avenue (near Themersons) who sent this fine 'WRITERS FORUM POETS 7' of his sound poems." -- Source of annotation: Marvin or Ruth Sackner.

On the stationery from Prinknash Abbey, Houedard has played with the letters in the names of Nicholas and Fiona Logsdale in red and green ink in two separate columns. -- Source of annotation: Marvin or Ruth Sackner.

On the stationery from Prinknash Abbey, Houedard has played with the letters in the names of Nicholas and Fiona Logsdale in colored red and green ink in two columns. -- Source of annotation: Marvin or Ruth Sackner.

This page is based on the letters of Nicholas and Fiona Langdale relating to numbers. The bottom half of the page is crossed out. -- Source of annotation: Marvin or Ruth Sackner.

On the recto of an envelope, Houedard has played with the letters in the names of Nicholas and Fiona Logsdale in four designated columns. -- Source of annotation: Marvin or Ruth Sackner.

On the recto of an envelope, Houedard has played with the letters in the names of Nicholas and Fiona Logsdale in four designated columns. They owned the Lisson Gallery in London. -- Source of annotation: Marvin or Ruth Sackner.

On the stationery from Prinknash Abbey, Houedard has played with the letters in the names of Nicholas and Fiona Logsdale. -- Source of annotation: Marvin or Ruth Sackner.

This poem is dedicated to Nicholas Logsdale and his wife Fiona, the owners of Lisson Gallery in London. -- Source of annotation: Marvin or Ruth Sackner.

This poem is dedicated to Nicholas Logsdale and his wife Fiona, the owners of Lisson Gallery in London. -- Source of annotation: Marvin or Ruth Sackner.

This letter is addressed to John Sharkey in which Houedard mentions possibilites for Wendy's work and other publications. -- Source of annotation: Marvin or Ruth Sackner.