Typed on graph paper. Cinicolo ruminates on making an almanac with Anthony Harwood and trying to get a grant to attend St Martins.. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo invites Houedard to his dip (postgraduate) show at St Martins and provides a typewriter map of the location.. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo aplogizes for delayed response and mentions his taking care of 2500 tomato plants. Provides a list of mysterious numbers which betrays his occupation, nationality, financial position, etc. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo enquires about the work of Joseph Beuys. He notes that he visited John Furnival and his family and also writes of his interest in Houedard's "reversible poems." Cinicolo writes "i have been very silent these past 2 years but that is past & i have renewed enthusiasm/energy so i wouldnt like to lose contact with you" -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo descirbes the work that must be accomplished for Houedard's Newcastle catalogue in preparation for printing. He mentions his distain of punctuation and desired substitution of line spacing. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo asks Houedard questions about his catalogue and sending original art works. He apologizes for the poor typing and writes that he may be moving into another house. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo mentions that Edward Wright liked his work very much. He also writes that he has registered himself as a business, Liberis Editions, viz., libro = book & libero = free. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo 3 mentions giving a lecture on typewriter mechanics and small presses at Goldsmiths School of Art. -- Source of annotation: Marvin or Ruth Sackner.

Donato Cinicolo writes that he will be unable to travel to Prinknish Abbey with Houedard but will meet him there as he has a;ready booked a ticket. The typings are arranged in clusters with frequent use of words translated into French and Italian. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo mentions trying to arrange meetings with Anthony Harwood, David Medalla and Edward Wright. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo's instructions state "unfold the sheet completely before reading preferably out of doors." The four letter poem is spaced as if floating in the air and reads "cool/wind/gale/blew/soft/dust/hard/into/pale/eyes/face. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo apologizes for not replying sooner to Houedard's letter of 750214. Cinicolo agrees to design the reversal poem, "Mind-Ache" and the catalogue/invitation book for the exhibition at Mercato del Sale. Healsis the company printing this work. -- Source of annotation: Marvin or Ruth Sackner.

Describes difficulties in designing the Newcastle catalogue in a piecemeal fashion. -- Source of annotation: Marvin or Ruth Sackner.

Discusses problems of collecting monies from persons who asked him to do typewriter poems but then claim that they cannot pay. Also, notes that a printer wants to do his Reversal Poems in type. -- Source of annotation: Marvin or Ruth Sackner.

This letter provides the final art work for Houedard's reversal poem, "mind-ache." The letter is typed on dc3 stationary.The two drawings are on heavier bond paper and one contains handwritten typographic instructions for fonts and letter size. -- Source of annotation: Marvin or Ruth Sackner.

The letter is typed on silver reflective paper. Cinicolo responds to Houedard's letter (06-09-1970) that addressed him with several nicknames. -- Source of annotation: Marvin or Ruth Sackner.

Typed on green paper; Cinicolo requests that Houedard return his book, Sky Blue, for a postgraduate interview. -- Source of annotation: Marvin or Ruth Sackner.

The arrangement of the typewriting, viz., upside down phrases interspaced between right-side-up text, provides an abstract visual image. -- Source of annotation: Marvin or Ruth Sackner.

Typed on tan paper stock. Cinicolo thanks Houedard for referring Clive Adams, the art dealer, to him. Later in 1993,Clive Adams and Cinicolo 3 met with the Sackners and Adams sold them this archive of correspondence between Cinicolo 3 and Houedard. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo informs Houedard about progress of the Newcastle catalogue. -- Source of annotation: Marvin or Ruth Sackner.