The poem is a portion of a poem written by Peret, "Je Sublime" (1936) printed on pages with abstract shapes. -- Source of annotation: Marvin or Ruth Sackner.

This is Crombie's interpretation of Apollinaire's poem "Il Pleut" in which the calligramme is represented with abstract markings and the words as colored, linear, conventional and disintegrated text. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue also announces the new address in Paris at 13 rue de la Grande Chamiere. -- Source of annotation: Marvin or Ruth Sackner.

The text consists of words or phrases that playupon the word "Kickshaws." For example, one page reads Prickshaws? Tickgauze? Thickdraws? Sickshaws? in different typefaces. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict graffiti images. -- Source of annotation: Marvin or Ruth Sackner.

This book has spiral spines on two of its borders. Text consists of the words, "gloom, doom, womb and tomb," similar to another book held by the Sackner Archive with a different format by Crombie, entitled "Womb to Tomb." -- Source of annotation: Marvin or Ruth Sackner.

The title is taken from a phrase in Samuel Beckett's play, Waiting for Godot. -- Source of annotation: Marvin or Ruth Sackner.

This book is designed as an aid to meditation or concentration. Pages depict prayer beads which serve as a guiding thread or an alternative devotional aid. -- Source of annotation: Marvin or Ruth Sackner.

The book represents a man's body with a white, plastic spiral spine, a face and hair made of cut, smaller spiral spine material, a heart shaped heart printed with "je t'aime," and appropriately shaped booklets for the arms, abdomen, legs and penis. Crombie wrote the Sackners that these book objects were too difficult to transport and make so that none of the editions were completed as stated in the colophon. -- Source of annotation: Marvin or Ruth Sackner.