The loose sheets depict several different typefaces and vertical dimensions; the images appear to have been generated by a computer. Several poems have erotic content. -- Source of annotation: Marvin or Ruth Sackner.

This collection enclosed in an envelope includes 1) poster entitled TOOL: richerche interlinguistiche [1971], 2) two different posters entitled, Fra Significante e Significato: La Nuova Scrittura [1975], and 3) Artescrittura. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts and annotates Carrega's seminal work, entitled "50 modelli d'uso" that was shown the first time at Mercato del Sale in May 1978. It was remade in 1981 with 45 pieces in an edition of three copies and the Sackner Archive holds one of these editions in a specially made box. -- Source of annotation: Marvin or Ruth Sackner.

Ugo Carrega aka George Tudor. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book deals with childhood toys. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Klaus Groh. -- Source of annotation: Marvin or Ruth Sackner.

The print was also bound into tEXt, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This profusely illustrated book includes a reproduction of a visual poem, "io qui adesso - respiro" that is held by the Sackner Archive (page 18). Also, some of Ferrari's drawings reproduced in this book appear to originate from Ferrari's "Artescrittura," an artist book held by the Sackner Archive. George Tudor ia Ugo Carrega's nom de plume. -- Source of annotation: Marvin or Ruth Sackner.

This profusely illustrated book includes a reproduction of a visual poem, "io qui adesso - respiro" that is held by the Sackner Archive (page 18). Also, some of Ferrari's drawings reproduced in this book appear to originate from Ferrari's "Artescrittura," an artist book held by the Sackner Archive. George Tudor ia Ugo Carrega's nom de plume. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Ugo Carrega. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.