Contains article by Kyle on "Origin and Adaptation of the Concertina Fold." -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was sponsored by the Center for Book Arts. -- Source of annotation: Marvin or Ruth Sackner.

Introduction by Edwina B. Evers. The catalogue depicts reproductions of the following books held by the Sackner Archive: Pamela Moore "Offset and Finely Pressed;" Jerome Rothenberg and Deborah Weier "A Merz Sonata;" Margaret Atwood "Snake Poems;" and David Ossman "Rainbow Cafe." The loose sheet is a price list. -- Source of annotation: Marvin or Ruth Sackner.

This is a proposal for exhibition organized by Carol Barton. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue "The Altered Page," selections from the Sackner Archive that was curated by Marvin Sackner and Richard Minsky is listed. -- Source of annotation: Marvin or Ruth Sackner.

This is a masterpiece of book binding and mirror writiing content. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition featured twelve three dimensional paper book objects. Organized by the Center for Book Arts. Brief introduction by Norman B. Colp. -- Source of annotation: Marvin or Ruth Sackner.

Susan Share is depicted on the cover. -- Source of annotation: Marvin or Ruth Sackner.

This is Smith's book number 143. Each line of poetry printed on 8 pencils that act as door hinges on the spine. The printed text on the pencils reads Weaving, Back and Forth, Writing in Time, Sewing my Words, Bowing the Box. The pages of this pie shaped book object are blank and as Smith explains in the colophon, ...the poem is not written by the pencils, but upon them. The binding was devised by Hedi Kyle and is called a piano hinge binding. -- Source of annotation: Marvin or Ruth Sackner.

The book by Hedi Kyle, "Mirror Talk," shown in this exhibition, was purchased by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.