Illustrated on the recto is "Hommage pour Andre Breton." The collaged work includes a drawing by Trinkewitz of Jiri Kolar packing a parcel for Marvin Sackner and a letter from Sackner to Trinkewitz. The artist also writes about his current projects. -- Source of annotation: Marvin or Ruth Sackner.

A photographic reproduction of this drawing appears in Neue Texte No.4 1970, a publication held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The components of this work consist of horizonally placed varied colored words and fragments of words printed in capital letters of varied font sizes. The collaged tube extends from the collaged wooden base by means of a collaged nail and heavy plastic filament. The verso contains four collaged printed papers of reproductions of works by Trinkewitz. One has a hand written text "How to Made Advertising." The second paper is hand lettered "Layout Trinkewitz." The third states "Trinkewitz 63." Also collaged on the verso bottom is a magazine cover onto which Trinkewitz has written "My daughter Barbara." -- Source of annotation: Marvin or Ruth Sackner.

The components of this work consist of horizonally placed varied colored words and fragments of words printed in capital letters of varied font sizes. The collaged tube extends from the collaged wooden base by means of a collaged nail and heavy plastic filament. The verso contains four collaged printed papers of reproductions of works by Trinkewitz. One has a hand written text "How to Made Advertising." The second paper is hand lettered "Layout Trinkewitz." The third states "Trinkewitz 63." Also collaged on the verso bottom is a magazine cover onto which Trinkewitz has written "My daughter Barbara." -- Source of annotation: Marvin or Ruth Sackner.

The components of this work consist of horizonally placed black, white, and yellow words and fragments of words printed in capital letters of varied font sizes. The collaged tube extends from the collaged wooden base by means of a collaged nail and heavy plastic filament. The verso contains two labels from a gallery exhibition is Bratislava on 1969. Also, the following handwritten by Trinkewitz: Exposition 1966 Prague (with Jiri Kolar) Galerie Spalova and Exposition Prague Galeria Na Karlove Namesti. Also, a magazine cover onto which Trinkewitz has written "My daughter Barbara." is collaged on the verso. A photographic reproduction appears in Trinkewitz's exhibition catalogue, Zivot Je Kolaz / Das Leben ist eine Collage, 1999. -- Source of annotation: Marvin or Ruth Sackner.

The components of this work consist of horizonally placed black, white, and yellow words and fragments of words printed in capital letters of varied font sizes. The collaged tube extends from the collaged wooden base by means of a collaged nail and heavy plastic filament. The verso contains two labels from a gallery exhibition is Bratislava on 1969. Also, the following handwritten by Trinkewitz: Exposition 1966 Prague (with Jiri Kolar) Galerie Spalova and Exposition Prague Galeria Na Karlove Namesti. Also, a magazine cover onto which Trinkewitz has written "My daughter Barbara." is collaged on the verso. A photographic reproduction appears in Trinkewitz's exhibition catalogue, Zivot Je Kolaz / Das Leben ist eine Collage, 1999. -- Source of annotation: Marvin or Ruth Sackner.

The picture depicted on page 27 is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This colored print is a photocollage of portraits of famous contemporary artists/poets and images of their work. Trinkewitz added gold paint to the print. The artists/poets include among others Trinkewitz, Schwitters, Havel, Dali and Paolozzi. -- Source of annotation: Marvin or Ruth Sackner.

Each print is a photocollage of portraits of famous contemporary artists/poets and images of their work. They include among others Trinkewitz along with his shirt that is held by the Sackner Archive, Havel, Picasso, Beuys, Johns, Beuys, Lichtenstein, Christo, Kolar, Stein, Leger, Haring, Close, Rauschenberg, Keiffer, Warhol, and Pollack. One of the prints is inscribed "My Shirt For Marvin Sackner." -- Source of annotation: Marvin or Ruth Sackner.

Trinkewitz attached two panels of found papers and papercards from magazines, books and advertisements etc., cut to the size of match book covers, to a board collaged with an undecipherable, linear fragmented text with bold typefaces. These elements include images of Schwitters, Trinkewitz, Kolar, beautiful women, envelopes, receipts, maps, magazine pages, stamps etc. The verso has a signature dated 1984 at the Visual Poetry Conference in Saarbruchen, Germany. A photocopied group photographic portrait depicts Ruth and Marvin Sackner among poets at a visual poetry conference held in Sarrbrucken, West Germany in 1984. This work was exhibited in the Agnes Scott College Gallery, Atlanta, in January 2001. -- Source of annotation: Marvin or Ruth Sackner.

Eugenio Miccini contributed an essay,"Mantova e la Poesia Visiva." -- Source of annotation: Marvin or Ruth Sackner.

Photographs in the catalogue depict five collaged beer cans and a large calligraphic ink drawing both of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The card depicts a Trinkewitz shirt in black & white collaged onto a typographic concrete poem with a red background. -- Source of annotation: Marvin or Ruth Sackner.

This might be a book rather than an exhibition catalogue but the author is not readily apparent. The title translates to works on writing or letttering. -- Source of annotation: Marvin or Ruth Sackner.