Bluebeard's Castle by Ronald King, "Ein Deutsches Reqyiem - After Brahms" by Tom Phillips, "S.M.S." Issues No.1,3,4,5, "De Morandi" by Ian Tyson, and "Selected Shorter Poems" by Emmett Williams, which were exhibited, are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

In a letter to George Wittenborn, the book dealer-publisher, Ronald King asks him to purchase 100 of these books. The theme of "Listen" is based upon Eric Satie's "Sports et Divertissements." -- Source of annotation: Marvin or Ruth Sackner.

According to Christie, this work was suggested by Erik Satie's "Sports et Divertissements," translated into English by Cutts at the end of this book. -- Source of annotation: Marvin or Ruth Sackner.

According to Christie, this work was suggested by Erik Satie's "Sports et Divertissements," translated into English by Cutts at the end of this book. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by R C Kenedy. Tom Phillips designed the cover of this catalogue of British book arts. Sections are devoted to private presses, fine binding, typography and concrete poetry. Particular mention is paid to John Furnival "who paints builds whole landscapes from semantic elements" and Ian Hamilton Finlay "who creates poetry through providing words with a rigorously controlled and potently significant environment." Page 230 depicts John Christie's Word Clock III (1978) that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

There are four stacks of moveable leaflets like a roladex file that move randomly with electric power to form minimalist poems. The rearrangement of the words can also be accomplished by turning one of the two knobs brought out to the side. -- Source of annotation: Marvin or Ruth Sackner.