curry then briefly comments on Toronto poets and their activities in concrete, visual, and sound poetry up to the time of publication of the essay in 1987. The 2nd version of the manuscript was submitted for publication to Cross-Canada Writers Quarte In the Afterward written for Innovations in 1989, curry corrects errors in the original essay and comments upon younger poets not mentioned in the earlier essay, e.g., Daniel f. Bradley, Steven Smith, Gary Barwin, Stuart Ross, Steve Venright, -- Source of annotation: Marvin or Ruth Sackner.

This is an unpublished experimental calligraphic text for the poem, Bad, Coma Goats #40, 1984. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by jw curry. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one cent (pomez a penny) #68 and th wrecking ballzark #30. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one cent #154 and th wrecking ballzark #69. The cover depicts a woman with a penis exposed and the poem suggests the image through overlapping stencilled letters. -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #56. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists the publications of Mark Laba. jw curry also provides a brief biographic sketch and mentions that his work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists the publications of Stuart Ross including Proper Tales Press. jw curry provides a brief biographic sketch. -- Source of annotation: Marvin or Ruth Sackner.

These unbound pages were used for the final printing of the book published by Writers Forum. On the verso of some pages, handwritten, ink and graphite documentation as to their prior publication is provided. The manuscript includes ink drawings of the poems, "These" and "The Evolution of English." -- Source of annotation: Marvin or Ruth Sackner.

Also designated Curvd H&Z No.243. -- Source of annotation: Marvin or Ruth Sackner.