Scope and Contents

The chapters consist of the following: 1). The post-cognitive era: looking for the sense in it all. 2). Five traditions of art history. 3). Intermedia. 4). Some poetry intermedia. 5). Games of art. 6). Exemplative works of art. 7). Intending. 8). Against movements. 9). Boredom and danger. 9). Structural researches. 10). Seen, heard and understood. 11). Towards an allusive referential. 12). Blank images. 13). Innovation. 14). Inventing our back pages. 15). Styles in cognitivism. 16). A something else manifesto. 17). On doing too much. 18). About Bern Porter and his 'I've left'. 19). Why Gertrude Stein. 20). Getting into Emmett William's poetry. 21). Conceptual forks. 22). A commentary by the poet on 'conceptual forks'. 23). An exemplativist manifesto. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was written by Hansen as a first-hand account of the Happenings of the 1960's and documents these now historic performances with photographs by Peter Moore. -- Source of annotation: Marvin or Ruth Sackner.

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This poem is a retelling of an old testament biblical text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This object is an announcement card for the publication of "An Anthology." According to 6 Decades Books: LaMonte Young devised this extraordinary pop-up multiple as a prepublication announcement for An Anthology of Chance Operations, the book he co-published with Jackson MacLow in 1963. An Anthology of Chance Operations was designed by George Maciunas and includes work by Young and Mac Low, along with George Brecht, John Cage, Terry Riley, Dick Higgins, Yoko Ono, Henry Flynt, Walter De Maria, Nam June Paik, Dieter Rot, Robert Morris, Al Hansen, and others. The publication is a compendium of the era's dada-inflected avant-garde represented by a collection of works in which traditional boundaries between music, writing, art, and theater were discarded in favor of an aesthetics based ideas, actions, and ephemerality. The book is widely regarded as the high point publication of the Fluxus movement and a founding document of contemporary art. Young created a few dozen copies of the...

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Edited by Henry Martin. "This Sentence is Weightless," a multiple held by the Sackner Archive is reproduced on page 60. -- Source of annotation: Marvin or Ruth Sackner.

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Peter Moore's photograph appears on the cover. -- Source of annotation: Marvin or Ruth Sackner.

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This issue depicts superb examples of visual and concrete poems drawn from around the world. -- Source of annotation: Marvin or Ruth Sackner.

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This book is reviewed by Adrian Shaughnessy in eye Vol.13 no.50, 2003. Its aim was to show that graphic design and fine art blend as one. In the review, Shaugnessy points out that in the 21st century, the disciplines are growing apart due to commercial art galleries that need to distinguish the two to maintain business. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive is listed as resource of Artists' Books Collections. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive is listed as resource of Artists' Books Collections. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of five essays on artists books with extensive footnotes and a detailed bibiliography. Lucy Lippard is quoted on Artist Books as "not books about art, or on artists, but books as art. They can be all words, all images, or combinations thereof. At best they are a lively hybrid of exhibition, narrative, and object." -- Source of annotation: Marvin or Ruth Sackner.