This depicts a black and white portrait of Stevie Smith, the British poet with the caption, "Stevie, dressed for the corpse road, at Osmotherly." -- Source of annotation: Marvin or Ruth Sackner.

The ink color in each line of poetry becomes greener and relates to green vegetables (verdure). Apparently, Stevie Smith was a vegetarian. -- Source of annotation: Marvin or Ruth Sackner.

The fold-out pages of drawings by John Furnival and Richard Hamilton depict the house of Basil Bunting. Tom Phillips contributed a Humument page to this festschrift. -- Source of annotation: Marvin or Ruth Sackner.

The objects are two green clothcovered eyeshades. -- Source of annotation: Marvin or Ruth Sackner.

The surrealistic illustrations were done by Henrik Dresher. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a listing of works by Jonathan Williams. -- Source of annotation: Marvin or Ruth Sackner.

This is a polemic against the Glasgow Herald that gave an unfavorable review to Finlay's book, "Glasfow Beasts." -- Source of annotation: Marvin or Ruth Sackner.

The obituary of Johnson states that during hikes with Jonathan Williams on the Appalachian Trail, through the English Lake District, and throughout Europe. According to this obiturary, Johnson learned to become a writer by "paying attention to what he saw." -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Rodney Phillips and Steven Clay. It documented new and experimental writing in little magazines, many mimeographed and published in Manhattan's East Village or in other places related to this scene. According to the catalogue, these publications fostered "collaborations, community, spontaneity, humor, chance, experimentation, and committment...as basic social and literary values." -- Source of annotation: Marvin or Ruth Sackner.