The book contains reproductions of drawings by Morando. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. This is a position paper emphasizing the differences between concrete and visual poetry that was presented at an International Exhibition of Visual Poetry held in Belgrade, Yugoslavia, in 1971. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts Miccini's visual poetic collages along with a brief introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Published for the First Congress of the International Association for Semiotic Studies. -- Source of annotation: Marvin or Ruth Sackner.

Images were taken from overprintings of a trade press. They predate copier and book art with similar content sensability as found in the works by Jurgen Olbrich, Dieter Wagner, and Jiri Kolar. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. -- Source of annotation: Marvin or Ruth Sackner.

The newspaper periodical included as a loose insert is issue No.1 of Arte Contemporanea published by Galleria Flori in Florence, Italy 1969 and is designated as a supplement to Techne. -- Source of annotation: Marvin or Ruth Sackner.

These artist proofs are a portion of a project whose intent was to produce 26 prints by the same number of artists. The alphabetical last names of the artists begin with each letter of the alphabet. Eugenio Miccini contributed a print with images of celestial constellations. The print by Gerz is not listed in his Catalogue Raisonee Volume III. -- Source of annotation: Marvin or Ruth Sackner.

Cover by Steve Random. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue includes an interview between Verdi and Miccini on poesia visiva. The catalogue originated from the Archivo Internazionale di Poesia Visiva. -- Source of annotation: Marvin or Ruth Sackner.

Lara-Vinca Masini provides an introductory essay to the works of Ori. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made that Roffi's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts several themes that Miccini uses in visual poems, e.g., Poetry Gets Into Life, homages to important persons in art and literature through construction of pages indicative of their style, and word plays, etc. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts several themes that Miccini uses in visual poems, e.g., Poetry Gets Into Life, homages to important persons in art and literature through construction of pages indicative of their style, and word plays, etc. A section at the beginning of the book depicts poems with varies geometric shapes. -- Source of annotation: Marvin or Ruth Sackner.