Each page constists of densely, over-printed textual lines, horizontal, vertical or a combination of both. -- Source of annotation: Marvin or Ruth Sackner.

This book was published in an edition of 20 copies with almost identical content. The differences relate to minor use of newspaper clippings and offset photographs from periodicals in the collage material. Further, since the collage material was glued onto the pages, an imprecise process, all of the books are slightly different. -- Source of annotation: Marvin or Ruth Sackner.

This book was published in an edition of 15 copies with almost identical content. The differences relate to minor use of newspaper clippings and offset photographs from periodicals in the collage material. Further, since the collage material was glued onto the pages, an imprecise process, all of the books are slightly different. -- Source of annotation: Marvin or Ruth Sackner.

Images were taken from overprintings of a trade press. They predate copier and book art with similar content sensability as found in the works by Jurgen Olbrich, Dieter Wagner, and Jiri Kolar. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts several themes that Miccini uses in visual poems, e.g., Poetry Gets Into Life, homages to important persons in art and literature through construction of pages indicative of their style, and word plays, etc. A section at the beginning of the book depicts poems with varies geometric shapes. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts several themes that Miccini uses in visual poems, e.g., Poetry Gets Into Life, homages to important persons in art and literature through construction of pages indicative of their style, and word plays, etc. -- Source of annotation: Marvin or Ruth Sackner.