Note that "Tonto or" No.7 pamphlet that was included in this collection is stored in a portfolio box with other issues of "Tonto or." This collection also includes two Standing Poems by Ian Hamilton Finlay and Opening Numbers 2 & 4 edited by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue is subtitled "in Athen" owing to the location of the event. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by S.J.Schmidt. -- Source of annotation: Marvin or Ruth Sackner.

In his introduction to this print series Nannucci writes that "The growing importance of the visual over the verbal which started developing during the fifties, has doubtlessly influenced the proliferation of experimental poetry all over the world...This collection of unpublished poems is both a survey of the field made up to the end of the year 1970 and a proposal for the continuation of experimental work in poetry and for th e qualitative renewal of its original aspects." -- Source of annotation: Marvin or Ruth Sackner.

In his introduction to this print series Nannucci writes that "The growing importance of the visual over the verbal which started developing during the fifties, has doubtlessly influenced the proliferation of experimental poetry all over the world...This collection of unpublished poems is both a survey of the field made up to the end of the year 1970 and a proposal for the continuation of experimental work in poetry and for the qualitative renewal of its original aspects." -- Source of annotation: Marvin or Ruth Sackner.

The cover reproduces a cancelled text poem by Man Ray from his Dada period. -- Source of annotation: Marvin or Ruth Sackner.

A cluster of i's float above the word "jo ntheflag," an image that suggests there is a large group of individuals who wish to remain outside conventionality. In this image of the poem, three of the 'i's' show remnants of erasure. This differs from the smaller version No.495 that has different remnants of erasure. This typing is not included in Gerz's Catalogue Raisonne Volume III. -- Source of annotation: Marvin or Ruth Sackner.

A cluster of i's float above the word "jo ntheflag," an image that suggests there is a large group of individuals who wish to remain outside of conventionality. In this image of the poem, one of the 'i's' and a left-sided parenthesis symbol show remnants of erasure. This typing is designated No.495 in Gerz's Catalogue Raisonne Volume III. Another version on a larger sheet of paper has more erasures and is not included in the Catalogue Raisonne Volume III. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalog. -- Source of annotation: Marvin or Ruth Sackner.

This work is depicted as No.468 in Gerz's Catalogue Raisonnne Volume III and mistakingly described as a collage rather than a photostat of a collage. Presumably, the original has been lost or destroyed. The photostat was purchased from Gerz by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

The image consists of two rows of capital X's interrupted by the word OUI. This is among the earliest drawings in concrete poetry made by Gerz. It is depicted as No.466 in his Catalogue Raisonnne Volume III. It should be noted that Gerz designated this work as an example of visual rather than concrete poetry despite the absence of an image. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a letter picture by Clemente Padin. The contributors to this exhibition constituted all the major artists/poets working contemporaneously in concrete and visual poetry. Stored in Ovum 10 box. -- Source of annotation: Marvin or Ruth Sackner.

The cover of the card depicts Emmett Williams' poem "SolDIEer." -- Source of annotation: Marvin or Ruth Sackner.

The wooden blocks spell REVOLUT with three final letters, 'd' 'f' & 'n' separated and turned as if to revolt against themselves! This is a sepia toned photograph of a unique three dimensional book object designated No.609 in Gerz's Catalogue Raisonee Volume III. -- Source of annotation: Marvin or Ruth Sackner.

This booklet is designated No.752 in Gerz's Catalogue Raisonee Volume III. -- Source of annotation: Marvin or Ruth Sackner.