The catalogue is shaped like alphabetical file cards with each artist's name printed on the tabs. The exhibition was curated by Barbara Lazarus Metz and the catalogue was designed by Bill Drendel. -- Source of annotation: Marvin or Ruth Sackner.

Clive Phillpot contributed a critical essay. -- Source of annotation: Marvin or Ruth Sackner.

Essay by Jan Avgikos, "How to Read an Artist's Book." Reproduces Richard C's "The Private Life of the Rabbit," Ruth Laxson's "Earth Score" and "Two Letter Words," all held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent nine of the 45 works in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue includes a statement by Barbara Young who also curated the show. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent "Mesostics Book" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Provides both an historic background and a contemporary assessment of the Artist Book. -- Source of annotation: Marvin or Ruth Sackner.

The four books making up this exhibition catalog, which in itself can be classified as an artist book, comprise the topics, Sculpture, Artist and Process, Related Objects, and Bookworks. The latter includes Marvin Sackner's critical essay, "Who Says Thirteen Is Unlucky?" The theme of several of the pieces in the exhibition is Satin's adaptation of John Cage, Jasper Johns and Merce Cunningham's collaborative work, "Dancers on a Plane." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent several works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Text and imagery relates to John Cage, Merce Cunningham, and Jasper Johns "Dancers on a Plane." -- Source of annotation: Marvin or Ruth Sackner.

A birthday present for Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts an illustration of the artist's work, a biography and an artist's statement. This catalogue also includes a page entitled "A History of the Book" and pages on selected recommended books and websites dealing with making artist books. -- Source of annotation: Marvin or Ruth Sackner.

Each page has been cut to four horizontal segments. A single word, white in color, has been cast into the white background of the page. A mesostic is formed from the middle letters of these four words. Reading down the center of the cover is the word alto which is the second part of the street name for the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Facilitating Processes So That Anything Can (to J.C.), depicted in the article, was purchased by the Sackner Archive from the exhibition. -- Source of annotation: Marvin or Ruth Sackner.