Wolf's drawing, "Homage to James Joyce" was reproduced in Letter Arts Review Vol.11 No.3 as contributions to in their Seventh Annual Competition in the Singular Works category. Commenting on this work," Wolf writes, "In my pieces, I try to parallel visually the verbal structure of various texts, though not necessarily spelling out the actual words. This piece suggests the often incomprehensibility of Joyce's text, of comprehensibility only fo the "initiated." About "1001 Nights," she states, "The piece capture the flavor of the exotic Arabian fairy tales." -- Source of annotation: Marvin or Ruth Sackner.

The cards are assembled in a square like a jig-saw puzzle to form the Holiday greetings from the Wolfs. -- Source of annotation: Marvin or Ruth Sackner.

Cotter reviews "The Next Word" at the Neuberger Museum of Art to which the Sackner Archive lent 25 books and pictures. Several of the works from the Archive are specifically described in the article including a manuscript by Jack Hirschman, a drawing by Anne Wolf, Emily McVarish's pasted-up words locked inside a metal frame, Paula Scher's "Opinionated Map: Central and South America" in which every inch on the Southern Hemisphere that is jammed with critical annotationt. "Elsewhere, the printed text, often taking a cue from advertising, comes to the fore. Blair Seagram's 'U Temp est Us' uses a sleek sans-serif type, offbeat spacing and shifting character sizes to hide phrases within other phrases." -- Source of annotation: Marvin or Ruth Sackner.