This long, biographic poem deals with Sanders' music group, the Fugs, and the political events of 1968, detailing among others the ravages of the Viet Nam war, James Earl Ray, Martin Luther King, Robert Kennedy, the Yippies, the CIA, J. Edgar Hoover, the FBI, and the Chicago Seven. There are descriptions of the assasinations of Robert Kennedy and Martin Luther King as well as small black and white scanned, photographic, documentary images, and line drawings of hierogyphics and fragments of calligraphic texts scattered among the poems. -- Source of annotation: Marvin or Ruth Sackner.

Cover depicts Claes Oldenburg wrapped in gauze bandages. -- Source of annotation: Marvin or Ruth Sackner.

Several poems deal with breathing and Zen. -- Source of annotation: Marvin or Ruth Sackner.

John Keys was an American who emigrated to England in the 1960's. -- Source of annotation: Marvin or Ruth Sackner.

Ian Hamilton Finlay contributed a conventional poem entitled "Orkney Interior." Michel Butor wrote an essay on Baudelaire. An excerpt from "Kadish" by Allen Ginsberg is printed in this issue. Charles Olson contributed a poem with concrete poetic elements, Edwin Morgan wrote an essay on "Jean Genet: A Life and its Legend." "Naked Lunch" by William Burroughs was reviewed. -- Source of annotation: Marvin or Ruth Sackner.

Silver mylar foil dust jacket. Themes deal with revolution, homosexuality, and underground press. -- Source of annotation: Marvin or Ruth Sackner.

Iris Lezak was Mac Low's lover. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Writers Forum Poets number five. Jeff Nuttall designed the covers. The first issue consisted of 12 copies in which Ginsberg's name was misspelled as Ginsburg. -- Source of annotation: Marvin or Ruth Sackner.

The Bomb, a pattern poem, is reproduced on the fold-out pages. This is the 11th printing of the book. -- Source of annotation: Marvin or Ruth Sackner.

This book documented a film by Peter Whitehead shot at a poetry reading at the Royal Albert Hall, London, June 11, 1965. It consisted of poems as well as stills from the film. The concrete and sound poems were contributed by Ernst Jandl. The book was also published by Grove Press in the United States. -- Source of annotation: Marvin or Ruth Sackner.

This book documented a film by Peter Whitehead shot at a poetry reading at the Royal Albert Hall, London, June 11, 1965. It consisted of poems as well as stills from the film. The concrete and sound poems were contributed by Ernst Jandl. The book was also published by Grove Press in the United States. -- Source of annotation: Marvin or Ruth Sackner.

This book documented a film by Peter Whitehead shot at a poetry reading at the Royal Albert Hall, London, June 11, 1965. It consisted of poems as well as stills from the film. The concrete and sound poems were contributed by Ernst Jandl. The book was also published by Grove Press in the United States. The signature and inscription relate to the previous owner of the book. -- Source of annotation: Marvin or Ruth Sackner.