Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Image provided to Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Image provided to Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The title of the broadside is The Golden Message. Twelve poems using the Spanish word "oro," which means gold, are printed in futura typeface. The letters o, r and o are printed repetitively in different permutations. This work was loaned to the Museum of Modern Art NYC for their exhibition, "Eye on Europe: prints, books & mutiples 1960 to now." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Image provided to Sackner Archive by Klaus petter Denker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Goeritz, who was of Protestant (?) or Jewish zzzzz9/) heritage, was born in Danzig and migrated to Mexico circa WWII. According to this catalogue, Goeritz made concrete poetry between 1952 and 1966. Throughout his career, he mostly made public sculptures and practiced architecture. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book is one of 1000 copies in English, another 1000 copies were printed in Spanish. Wikipedia: Werner Mathias Goeritz Brunner (1915-1990) was born in Danzig, Germany (now in Poland) and died in Mexico City). After spending much of the 1940s in North Africa and Spain, Goeritz and his wife, photographer Marianne Gast, immigrated to Mexico in 1949. Some books state that he was Jewish, others Protestant.In Mexico, he did commisions for churces and synagogues. Mathias Goeritz spent his childhood in Berlin. Goeritz received a doctorate in art history from Berlin's Friedrich-Wilhelm-Universitat, now known as the Humboldt University of Berlin in 1940. During the course of his studies, Goeritz also trained as an artist at the Kunstgewerbe- und Handwerkerschule Berlin-Charlottenberg (Berlin-Charlottenberg School of Arts and Crafts), where he studied drawing with German artists Max Kaus and Hans Orlowski. Upon completion of his doctorate, Goeritz worked at Berlin's Nationalgalerie...

Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Contains critical essay and examples of work of Mathias Goeritz written by Jan Bervoets. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book, a companion volume to "Una Biografia," is also edited by Lily Kassner. It consists of photographic reproductions of Goeritz's artworks including four concrete poetic wall murals designed by Goeritz in the sixties. -- Source of annotation: Marvin or Ruth Sackner. 2 copies

Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. Omar Rayo Reyes (20 January 1928 "“ 7 June 2010) was a renowned Colombian painter, sculptor, caricaturist and plastic artist. He won the 1970 Salón de Artistas Colombianos. Rayo worked with abstract geometry primarily employing black, white, red and yellow. He was part of the Op Art movement. Rayo's work shows that geometric art is as much a part of the past as it is of the future. He used traces of the past to discover new ways to present visual and geometric sketches. One of his most celebrated exhibitions was carried out in the National Room of the Museum of the Palace of fine arts of Mexico, titled "20 years, 100 works: Omar Rayo." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.