The case is fitted with four compartments arranged vertically such that top has images of the head, the next down, images of the chest, the next down, images of the abdomen and upper thighs, and the bottom, the lower extremities. The prints can be rearranged in their compartments to form an infinite variety of body views. The project was initiated by Silver Buckle Press through a request to 33 small presses to submit a print based upon one of the aforementioned body parts. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Carol Barton and Henry Barrow. An image of Susan Grant's bookwork "The Wink, The Kiss, The Slap," held by the Sackner Archive is reproduced in catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The artist produced this book from a diary she kept about dreams, recollections, and fears on relocating to Detroit in 1979. Facing pages, one of poems and the other of photocollages depict such experiences. The photographs were reprinted from "Portrait of an Artist and Her Mother."The experiences described among others include "kainophobia": fear of change, "eremiphobia": fear of solitude. Grant has produced an outstanding, powerful presentation. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of an exhibition of Artist Books at the Victoria & Albert library. -- Source of annotation: Marvin or Ruth Sackner.

Review of "Broken Language: Visual Books" an exhibition which took place at San Francisco Camerawork. Author mentions that Barbara Drucker's "The Golden Age," held by Sackner Archive, is in the tradition of Tom Phillips "A Humument". -- Source of annotation: Marvin or Ruth Sackner.