Scope and Contents There is an introductory manifesto on communication as follows: Free Information & Communication( meaning. reading. etc.) Any reference (see epigraphs for example) may ad libitum integrate the context of virtualities & correalities: the text of the poem being proposed as an (aesthetic) information already. All together, an approach by the way of analogy to a semiotic process within a probabilistic space-time of permutations & combinations of signs. The signs "” in our case the vowels "” correlate freely, even at random, one another, with the referent. and with the participant observer. Variables of creative reading. and other concrete means of communicating the poem; different languages: vertical, horizontal, transversal, circular sequences (divided. alternate, reiterated, aleatory, etc.); open, close, nasal, stressed (principal & secondary accents), unstressed sounds: staccato, legato, diphthongs, triphthongs, hiatuses, pauses, etc.: vocal timbres & registers:...

Scope and Contents There is an introductory manifesto on communication as follows: Free Information & Communication( meaning. reading. etc.) Any reference (see epigraphs for example) may ad libitum integrate the context of virtualities & correalities: the text of the poem being proposed as an (aesthetic) information already. All together, an approach by the way of analogy to a semiotic process within a probabilistic space-time of permutations & combinations of signs. The signs "” in our case the vowels "” correlate freely, even at random, one another, with the referent. and with the participant observer. Variables of creative reading. and other concrete means of communicating the poem; different languages: vertical, horizontal, transversal, circular sequences (divided. alternate, reiterated, aleatory, etc.); open, close, nasal, stressed (principal & secondary accents), unstressed sounds: staccato, legato, diphthongs, triphthongs, hiatuses, pauses, etc.: vocal timbres & registers:...