Scope and Contents

There is handwritten text at the top fifth of the drawing and four images below it, e.g., A a black plus sign, B a stylized green frog-like animal, C a colored triangle open at its corners, and D a pictogram of a human in white on a black background rectangle. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive holds works by Ottfried Zelke, the editor and one of the contributing cartoonists to this issue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This drawing consists of a handwritten text with signs and animal figures in black ink upon a white painted background. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The writings and drawings in this book are a collaborative effort between the two authors. Although the tirage is four copies, each book is unique. The cover design depicts markings from the skin of a cow. A toy cow with propellers on each side is attached to the top of the rear cover by means of bent metal tubing. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The images deal with interpretations of self-portraits as concrete, visual, and conventional poetic ideas. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cards and objects of the same dimensions are stacked between two square, thick wooden plywood boards that are held together by two long screws with flanged nuts. The word "between" is printed on the cover board and blind embossed on the dividing handmade thick paper sheets. Most of the artwork relates directly to the theme of this assembling, e.g., 'zwischen' in German, 'between' in English. This theme is expressed in both verbal and visual images. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cards and objects of the same dimensions are stacked into a pyramid shaped, brightly printed, colored box. The artists and poets contributed one or several pieces to this assembling. The ceramic object made by Axel Fabry is a replica of a sunny-side up egg. The booklet is made like a sandwich. All other sheets relate to the theme of food. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The title of this catalogue is a shortened name for Mozart. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The theme of this book is control of pests, e.g., insects, rabbits, etc. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Ebel accounted for the text and Zielke for the pictures of this book. Its theme is the word 'tiger' found as a component of German words e.g., Tuntiger, Fertiger. These words are written calligraphically and arranged in both orderly and chaotic lists. The pages are black, yellow, and pink color stock and the words are silkscreened onto them in black and white inks. The book is illustrated with several neo-expressionistic images of a tiger. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This unique book was shown at an exhibition at Galerie 13 in Hannover, Germany from January 19 - February 24, 1996. Indeed, a catalogue reproducing the works in this book is included in a folder within the book; a brochure announcing the exhibition is also included. The book is divided into five parts, three in the first part and two in the second part of the dos-a-dos design. The first part includes Andryczuk's "Cosmographic Poetry and Art." This consists of 18 pages of rubberstamped images like an accordion and a stylized sun figure with a single letter in colored ink alongside the image. In addition, there are four pages of rubberstamped bees and drawn ink and gold figures and letters on commercially printed material.The second section entitled, "Letters for myself" consists of 18 pages of airmail envelopes collaged onto a white page which has been rubberstamped, "KOPIA" at the top and 030495 at the bottom. The envelopes are rubberstamped with an image of a Scuba diver and a...

Scope and Contents

This catalogue lists and describes all issues of Entwerter/Oder, the Assembling periodical edited by Warnke. It begins with the first issue that was published in 1982. The black and white photograph in the book by Thomas Gunther is a portrait of Warnke reading from one of his texts; it was made by Thomas Gunther. -- Source of annotation: Marvin or Ruth Sackner.