Zylla, Klaus
Found in 12 Collections and/or Records:
1998-1999 / Gunther, Thomas, Editor ; Gunther T ; Peters C ; Zylla K ; Wurzberger M ; Gunther F., 1998
2004-2005 / Gunther, Thomas ; Bach C ; Zylla K ; Wurzberger M., 2005
Arbeiten zu Thomas Bernhard und Karkheinz Deshner / Zylla, Klaus ; Gunther, Thomas., 1999
This catalogue was published in three editions, 40 copies with signed original prints, and five copies with signed photographic documentation by Thomas Gunther along with a signed print by Zylla. This copy was one of the latter series. The first sectionof this catalogue depicts colored photographic reproductions of gouaches by Zylla that illustrate books written by Thomas Bernhard. The second section depicts paintings, gouaches, and prints by Zylla that illustrate Karlheinz Deschners' novel, Die Nacht steht um mein Haus. -- Source of annotation: Marvin or Ruth Sackner.
Das Eigeneund das Fremde / Zylla, Klaus ; Stephan E ; Dubuffet J ; Bukowski C ; Sackner RK ; Sackner MA., 1998
The title translates to "The Personal and the Other: Ten Years of Work." Eric Stephan contributes an introductory essay, in German and English, that points out Zylla's debt to Charles Bukowski and Jean Dubuffet. Jorn Merkert writes about Zylla's working methods. This catalogue mentions that Zylla's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Die Irren - Die Haftlinge / Bernhard, Thomas ; Zylla, Klaus., 1994
The poem is taken from Thomas Bernhard's "Gessamalte Gedichte" published by Volker Bohn, Frankfurt 1991. The calligraphy, design and drawings were done by Klaus Zylla. The book was published in 1994 but assembled in 1997 for the Sackner Archive as indicated by Zylla's dating of his signature on the colophon, the six drawings specially done for this copy, and the special inscription in black paint for the slipcase. Since the colophon does not mention drawings, this is probably a unique copy. The poems are mainly written in a thick black painted, neo-expressionist calligraphic style which accompany neo-expressionistic, large, line drawings of human-like, grotesque figures. The drawings that depict neo-expressionistic, human like creatures and calligraphic poetry are rendered in chalk, pastels, white ink, and gouache. -- Source of annotation: Marvin or Ruth Sackner.
Editionsprogramm / Gunther, Thomas ; Gunther T ; Jahn S ; Bach C ; Wurzberger M ; Zylla K., 1995
This catalogue was published for distribution at the Frankfurt and Leipzig book fairs as well as the second ArtistBook International. -- Source of annotation: Marvin or Ruth Sackner.
Galerie auf Zeit / Gunther, Thomas, editor ; Zylla K ; Bach C ; Jahn S ; Gunther T ; Pastior O ; Andryczuk H ; Claus CF ; Dencker KP ; Garnier P ; Jadot A ; Scherstjanoi V ; Nikonova R ; Warnke U ; Zauner H ; Ebel G ; Lohr H ; Hosselbarth K., 1995
Includes a soft cover book describing the publications of Galerie auf Zeit and photocopied sheets of Zylla's book, "Die Irren - Die Haftlinge." This book was presented at the 2nd Artist Book International meeting. -- Source of annotation: Marvin or Ruth Sackner.
Neuerscheinungen 1997 - 1998 / Gunther, Thomas, editor ; Gunther T ; Jahn S ; Bach C ; Wurzberger M ; Zylla K ; Gunther F ; Burroughs WS., 1997
OH / Gunther, Thomas ; Jahn S ; Papasseit J ; Zylla K ; Wurzberger M., 2005
Pintura / Zylla, Klaus ; Sackner RK ; Sackner MA., 2002
The Sackner Archive is mis-labeled as Marvin L. Suttner Foundation of Visual Poetry in the list of musems and libraries holding Zylla's works. -- Source of annotation: Marvin or Ruth Sackner.