Caws, Mary Ann
Dates
- Existence: 1933-09-10-
Found in 10 Collections and/or Records:
Dada/Surrealism: Andre Breton. No.17 / Rudolf E. Kuenzli, Mary Ann Caws, editors ; Breton A ; Caws MA ; Kuenzli R., 1988
Dada/Surrealism: Dada and Surrealist Art. No.13 / Mary Ann Caws, Rudolf E. Kuenzli, editors ; Elderfield J ; Hubert RR ; Altieri C ; Kuenzli R ; Schwitters K ; Desnos R ; Breton A ; Magritte R., 1984
Dada/Surrealism: Marcel Duchamp. No.16 / Mary Ann Caws, Rudolf E. Kuenzli, editors ; Kuenzli R ; Wood B ; Schwarz A ; Duchamp M., 1987
Dada/Surrealism. No.10-11 / Mary Ann Caws, Rudolf E. Kuenzli, editors ; Hennings E ; Apollinaire G ; Michaux H ; Roussel R ; Kuenzli R ; Burroughs WS ; Aragon L ; Altieri C., 1982
Includes a biography of Emily Hennings. -- Source of annotation: Marvin or Ruth Sackner.
Dada/Surrealism: Visual Poetics. No.12 / Mary Ann Caws, Rudolf E. Kuenzli, editors ; Mayer P ; Cook A ; Curtay JP ; Caws MA ; Kuenzli R ; Duchamp M ; Apollinaire G ; Pound E ; Arp H ; deTorre G ; Mon F ; Isou I ; Bohn W., 1983
Includes Peter Mayer's classification of concrete and visual poetry. -- Source of annotation: Marvin or Ruth Sackner.
No.74: Little Mags / Am Here Books ; Caws MA ; levy da ; Wagner Dr ; Giorno J ; Cook G ; Kostelanetz R ; Gibbs M ; Lax R ; Williams J., 1993
No.85: Books "C" / Am Here Books ; Caws MA ; Chopin H ; Christie J ; Cobbing B ; Corman C ; Costa C ; Cutts S., 1994
No.85: Books "C" / Am Here Books ; Caws MA ; Chopin H ; Christie J ; Cobbing B ; Corman C ; Costa C ; Cutts S., 1994
Painter's Poet: Stephane Mallarme and His Impressionist Circle / Mallarme, Stephane ; Caws MA ; Noble A., 1998
The exhibition was carried out in conjunction with the Bibliotheque Litteraire Jacques Doucet in Paris. -- Source of annotation: Marvin or Ruth Sackner.
The Art of Interference / Caws, Mary Ann ; Duchamp M ; Lora-Totino A ; Ulrichs T ; Finlay IH ; Arakawa ; Gins M ; Breton A ; Gomringer E ; Ray M ; Jabes E., 1989
Consists of a collection of critical essays previously published in academic periodicals. Her chapter, "Edging and Hedging" analyzes concrete poems by Lora-Totino (Spazio), Ulrichs (Eros), Gomringer (Silenzio), and Finlay ( The Wartime Garden). Caws analyzes the varient works of concrete poetry by the Frenchmen Lionel Ray and Edmond Jabes that she designates optical poetry as related to reading of the poems not to their optical imagery as in the typings of Dom Sylvester Houedard. -- Source of annotation: Marvin or Ruth Sackner.
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- Dada 4
- Conventional poetry 3
- Concrete poetry 1
- Surrealism 1
- Visual art 1