Tom Phillips' "The Portrait Works" at the Portrait Gallery, London is unfavorably reviewed. -- Source of annotation: Marvin or Ruth Sackner.

Notes dealing with the relation of words to painting, -- Source of annotation: Marvin or Ruth Sackner.

John Russell contends that "the same few artists dominate all the major contemporary collections...[because] we feel comfortable with what we know, and for better and for worse that sensation is available in full measure in museums of modern art...It is, in fact, the buildings, and not what we see in them, that are full of surprises." -- Source of annotation: Marvin or Ruth Sackner.

Fizzles by Jasper Johns and Samuel Beckett is offered for $30,000. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. The Sackners sold "Proun 2C" by El Lissitzky in this auction. -- Source of annotation: Marvin or Ruth Sackner.

The text describes Johns' printmaking process using several well known prints as examples. -- Source of annotation: Marvin or Ruth Sackner.

Review of "Between Poetry and Painting" at the ICA in London. Lucie-Smith states "Concrete poetry is difficult to describe but easy to recognize." Stored with other material about this exhibition. Stored with material dealing with the Archive of "Between Poetry and Painting." -- Source of annotation: Marvin or Ruth Sackner.

The prints are photographic reproductions of some of the works in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The following books are listed and held by the Sackner Archive: "Aveux non avenus" by Claude Cahun; DADA 3; "Oreille gardees" by Jean Dubuffet; "For the voice" by El Lissitzky; "Le Courtisan grotesque" by Joan Miro and Iliazd; "1 cent Life" by Walasse Ting. -- Source of annotation: Marvin or Ruth Sackner.

This is an excellent, brief essay on the status of artist' books in 1982. -- Source of annotation: Marvin or Ruth Sackner.

Bowman reviews contemporary use of words in conjunction with visual art. -- Source of annotation: Marvin or Ruth Sackner.