Scope and Contents

Contains reproduction of Guillot's painting "...di cui cenore e inizio ..." (1988), which is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition was curated by Filiberto Menna & Francisco Gallo. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The prints depict erotic female images with written comments and lunar phases. Water damaged and was not repaired due to settlement. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition catalogue features the written and printing paintings of six artists living in Italy. It is introduced with several critical essays. For example, Vincenzo Accame contributes an essay "The Relationship between Written and Painted Signs from the Viewpoint of an Aesthetic Communication in Perspective." The catalogue provides an illustration of a painting by Anna Guillot, "di cui cenere e inizio," held by the Sackner Archive, along with two detail views of this work. Gio Ferri writes in his essay, "Anna Guillot's obsessive and luminous surface is also made up of rifts and orders. She 'illustrates' the geological and archaeological component of the return journey. The dig and the passage through stratified sedimentations of writing to the sign, from calligraphic statement to painting. But the adventure of research, the journey into the deep beyond the surface, as they become revealed, under the imposition of systemised programming, reveal, first lightly, then...

Scope and Contents

Edited by Davide Argnani, Maurizio Castagnoli, and Erio Sughi. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was curated by Lamberto Pignotti and Dario Spera. The works of Vittorio Fava are listed as being in the Sackner collection. -- Source of annotation: Marvin or Ruth Sackner.