This survey focuses more on the traditional illustrated book (Livre d'Artiste) than its title as contemporaneously defined. The dust jacket reproduces a detail of the Transsiberian Railroad by Cendrars and Delaunay, a work held by the Sackner Archive. Indeed, several books exhibited and reproduced in this catalogue are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition featured portraits of famous literary and artistic persons. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Atlas Anti-Classic 8. This book presents translations of Jarry's first two books, "Black Minutes of Memorial Sands" and "Caesar-Antichrist" as well as a series of essays. In 2005, the other two projected volumes of this work have not been published. -- Source of annotation: Marvin or Ruth Sackner.

This portrait of Jarry is drawn with indecipherable words that are overwritten and formed with different ink widths of the pen. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent the following books to this exhibition: P. Buzzi's "L'Ellisse e la Spirale," F. Cangiullo's "Poesia Pentagrammata," D. Burliuk, V. Burliuk, and V. Khlebnikov's "Zatychka," P-A. Birot's "La Joie des Septcouleurs," E. Lissitzky and I. Erenburg's "Shest'povesti o Legkikh," E. Lissitzky and S. Telingater's "Polygraphic Union Exhibition Catalog," S. Telingater and A. Bezymenskii's "Komsomolia," and S. Telingater's "Chudozhestvennaia." -- Source of annotation: Marvin or Ruth Sackner.

The cover reproduces the cover of Jarry's "Ubu Roi." -- Source of annotation: Marvin or Ruth Sackner.

Edited by Bradley Lastname. -- Source of annotation: Marvin or Ruth Sackner.

Unable to ascertain whether this work was ever published. -- Source of annotation: Marvin or Ruth Sackner.

Illustrated by Henry Meyer. -- Source of annotation: Marvin or Ruth Sackner.

This essay written by Shattuck upon his acceptance into the College of Pataphysics appears in this issue in nine languages. He defines 'Pataphysics in non-pataphysics terms. The headings of each description are as follows. 1. 'Pataphysics is the science of the realm beyond metaphysics; or 'Pataphysics lies as far beyond metaphysics as metaphysics lies beyond physics -- in one direction or another. 2. 'Pataphysics is the science of the particular, of laws governing exceptions. 3. 'Pataphysics is the science of imaginary solutions. 4. For 'Pataphysics. all things are equal. 5. 'Pataphysics is, in aspect, in perturbable. 6. All things are pataphysical: yet few men practice 'Pataphysics consciously. 7. Beyond 'Pataphysics lies nothing; 'Pataphysics is the ultimate weapon. -- Source of annotation: Marvin or Ruth Sackner.

This book includes an in-depth introduction to the English translated version of Jarry's novel written in 1911 that forms the basis for Pataphysica. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Enrico Baj, Vincenzo Accame and Enuli Brunella. The Sackners saw this show in Milan and purchased works exhibited by Roberto Sanesi and Vincenzo Accame (pp125-126). -- Source of annotation: Marvin or Ruth Sackner.

The Sackners attended this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet lists publications, prints, photographs and objects made by Dupont. -- Source of annotation: Marvin or Ruth Sackner.

Lists Lissitzky's "For the Voice [Reading Out Loud]," a book held by the Sackner Archive. This book is described as Lissitzky's masterpice of modern typography. -- Source of annotation: Marvin or Ruth Sackner.