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Kahn, Douglas, 1951-

 Person

Dates

  • Existence: 19510220

Found in 3 Collections and/or Records:

Source: Music of the Avant-Garde: 1966- 1973 / Austin, Larry, editor ; Kahn, Douglas, editor ; Chiari G ; Ashley R ; Brown E ; Partch H ; Feldman M ; Cage J ; Hunt J ; Austin L ; Kahn D ; Behrman D ; Mizelle J ; Rzewski F ; Oliveros P ; Moran R ; Wolff C ; Higgins D ; Lunetta S ; Neuhaus M ; Corner P ; Christou J ; Rzewski F ; Sumsion C ; Rose B ; Hansel S ; Matusow H ; Hodell A ; Cobbing B ; Kriwet F ; Cross L ; Feldman M ; Lunetta S ; Garland P ; Reich S ; Braxton A ; Cardew C ; Brecht G ; Bryars G ; Friedman K ; Lunetta S ; Filliou R ; Paik NJ ; Amirkhanian C ; Marsh B., 2011

 Item
Identifier: CC-58720-10001952
Scope and Contents

This book is a reprinting of the original Score periodicals that are held by the Sackner Archive and is stored adjacent to them.Douglas Kahn wriets in the preface, "Source: music of the avant garde was a beautifully produced publication of new music scores, essays by composers and artists, statements, interviews, artworks, sound and concrete poems, photo essays, circuit diagrams, instrument designs, event reports, documents, and LP recordings. It appeared in eleven large-format issues from 1967 to1973, semiannually in runs of two thousand copies, and became internationally known among all those interested in new music. and related arts at the time. It is now an invaluable historical document - from an exciting period in the arts, technology, culture, and politics - for what is loosely called experimental music, new music, electronic music, and related developments in poetry, visual arts, and intermedia.." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

Wireless Imagination Sound, Radio, and the Avant-Garde / Kahn, Douglas, editor ; Whitehead, Gregory, editor ; Marinetti FT ; Artaud A ; Cage J ; Cros C ; Duchamp M ; Jarry A ; Breton A ; Apollinaire G ; Tzara T ; Kruchenykh A ; Khlebnikov V ; Iliazd ; Jandl E ; Burroughs WS ; DeCampos A ; DeCampos H ; Breton A ; Aragon L ; Chopin H ; Char R ; Duchamp M ; Dohl R ; Gysin B ; Harig L ; Jarry A ; McLuhan M ; Mallarme S ; Mayakovsky V ; Mon F ; Picabia F ; Ribemont-Dessaignes G ; Ruhm G ; Satie E ; Soupault P ; Themerson S ; Zurbrugg N., 1992

 Item
Identifier: CC-07945-8099
Scope and Contents This book deals with the history of sound and sound installations by artists across modern and contemporary art movements. It is noteworthy that Charles Cros, whose works were translated by Laura Aga-Rossi (held by the Sackner Archive), is mentioned with Edison as the co-inventor of the phonograph. Both this instrument and the radio are featured topics in this book. Includes discussion of artistic languages such as zaum and glossolalia (used by Artaud), precursors to sound poetry.Between the Covers Review: Wireless Imagination directly addresses what is perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio and radio art. By gathering both original essays and several newly translated documents into a single volume, editors Douglas Kahn and Gregory Whitehead provide a close audition to some of the most telling and soundful moments in the "deaf century", including the fantastic acoustic scenarios...
Dates: 1992